托托王国王子虔信在九岁那天受封为太子，母后虽然充满慈爱和不舍，但仍将爱子交给国家。举国上下一片欢腾，人们心中对这位未来的主君寄予无限厚望。按照托托王国的法则，太子必须随同德高望重的老法师外出游历六年，增长学识。法师为他上了第一课，即该如何分辨善恶，而最后一课也是如此。在此之后，师徒二人一路前行，游遍祖国大好河山。白天他们隐姓埋名，以僧侣形象示人，夜晚太子则倾听法师关于善恶的教诲。某天，他们在途中遇见欺凌与不公，法师为愤怒的太子开了杀戒。刀刃拔出容易，然而分辨善恶却是人间最难的事情…… 　　本片根据鹿桥的小说集《人子》改编，为“美好2013:大师微电影”系列中的一部。

托托王国王子虔信在九岁那天受封为太子，母后虽然充满慈爱和不舍，但仍将爱子交给国家。举国上下一片欢腾，人们心中对这位未来的主君寄予无限厚望。按照托托王国的法则，太子必须随同德高望重的老法师外出游历六年，增长学识。法师为他上了第一课，即该如何分辨善恶，而最后一课也是如此。在此之后，师徒二人一路前行，游遍祖国大好河山。白天他们隐姓埋名，以僧侣形象示人，夜晚太子则倾听法师关于善恶的教诲。某天，他们在途中遇见欺凌与不公，法师为愤怒的太子开了杀戒。刀刃拔出容易，然而分辨善恶却是人间最难的事情…… 　　本片根据鹿桥的小说集《人子》改编，为“美好2013:大师微电影”系列中的一部。

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

心理医生董慧雯正在治疗一个走火入魔的物理学家，在治疗病人的过程中，离奇的事情不断发生，这使得董慧雯的思绪越来越混乱…

心理医生董慧雯正在治疗一个走火入魔的物理学家，在治疗病人的过程中，离奇的事情不断发生，这使得董慧雯的思绪越来越混乱…

这是一部独立的新派黑色电影。电影带领观众深入常人不熟悉的街区，通过拉丁裔酒店火灾事件的探寻，发掘街区中掩藏的腐败与堕落，同时揭露中产阶级与贫困群体的彷徨。

这是一部独立的新派黑色电影。电影带领观众深入常人不熟悉的街区，通过拉丁裔酒店火灾事件的探寻，发掘街区中掩藏的腐败与堕落，同时揭露中产阶级与贫困群体的彷徨。

梦境与记忆在消失的瞬间融合为一体。反复出现的幻想和姿态在一幅褪色自画像中遁入虚空。

梦境与记忆在消失的瞬间融合为一体。反复出现的幻想和姿态在一幅褪色自画像中遁入虚空。