NBC台2012年秋季新剧《新常态》由著名制片人、已经有两部热播美剧（《欢乐合唱团》和《美国恐怖故事》）的瑞恩·墨菲担任主创。《新常态》为半小时喜剧，讲述一对男同夫夫和他们的代孕女住同一屋檐下、迎接和抚养小孩的故事。由贾斯汀·巴萨和安德鲁·兰内尔斯饰演的同志伴侣决定抚养自己的小孩，他们将代孕妈妈锁定在餐馆女侍、负债累累的单亲妈妈格罗莉（乔治雅·金 Georgia King 饰）身上，后者怀孕后搬入和他们一起生活，从而给这个另类家庭增添了诸多欢笑和烦恼。宗教团体在开播前曾呼吁抵制，认为该剧扭曲了“正常的家庭价值观”，但大量调查表明“同志也可以组建家庭”已成为美国民意主流，因此《新常态》所反映的“新常态”还会继续发展和壮大。 　　本剧由瑞恩·墨菲和《欢乐合唱团》编剧艾丽·阿德勒共同打造，由二十世纪电视公司负责制作，是NBC在2012年开发和预订的第13部情景喜剧。

全新的2008年，全新的超人故事，由英国ITV为您打造。本剧共6集，讲述的是一帮“下课”后的超人们的“平凡”生活。这部片子里有着为数不少的超人，但背景只是一个平凡世界。 　　Brand new for 2008, No Heroics is a six-part series that sees a group of British off-duty superheroes living their day-to-day life - which for supposed saviours of the world is actually rather normal, as they just can’t be assed. 　　Instead, this group of B-listers would rather get drunk and commiserate their lack of superiority in their local superheroes-only pub, The Fortress, reading New Power Express and bitching about everyone who’s more successful than them.

全新的2008年，全新的超人故事，由英国ITV为您打造。本剧共6集，讲述的是一帮“下课”后的超人们的“平凡”生活。这部片子里有着为数不少的超人，但背景只是一个平凡世界。 　　Brand new for 2008, No Heroics is a six-part series that sees a group of British off-duty superheroes living their day-to-day life - which for supposed saviours of the world is actually rather normal, as they just can’t be assed. 　　Instead, this group of B-listers would rather get drunk and commiserate their lack of superiority in their local superheroes-only pub, The Fortress, reading New Power Express and bitching about everyone who’s more successful than them.

一对前恋人开始接受一种不同寻常的夫妻治疗，由一位年轻且有点不正统的心理学家进行，试图结束他们的关系，这样他们就不会再对家人撒谎了。

一对前恋人开始接受一种不同寻常的夫妻治疗，由一位年轻且有点不正统的心理学家进行，试图结束他们的关系，这样他们就不会再对家人撒谎了。

Always question just what it’s like to be adult celebrity? Annually numerous teenagers travel to Hollywood along with hopes of popularity, however some can get their names in fluorescent lights. Only on the opposite side of the hill, a specific Hollywood provides a faster and relatively easier chance for immortality. For several shows creators expose us to the "Europe silent film" and its occupants, a lot of whom are old neighbors, but joined in one historical series. 　　Review: Quite a long time looking for something similar. But what he saw not that disappointed, but tough feeling that we could do better, perhaps, the strongest. 　　According to the present, will receive the first and sixth series. They had quite a sound approach when they took a certain time interval and show how to develop film in different countries. How to reflect the same event. It was a lot of analysts and all perky and fun. Medium series were based on a completely different structure. We took a country, say Germany or Sweden there and showed how things were there for a dozen years. In the end, everything was very fragmented and isolated. That is, on the one hand flashed phrases that worked here the Germans and the British, but all in all it turned out, as if each was cooked in its own juices. 　　Still did not like, again in the middle series some selectivity, that is, for example, in the first set and remembered Danes and Italians. Something like flickering and the sixth series, to Delhi, say, Poles, Russia, Spain, in the end, I am silent about Greeks there or I do not know, the Portuguese. 　　The series is well suited for those who do not well informed and not in the subject. The rest can quickly become bored retellings of various films of the period. Causing suffering analytical component. Instead of retelling the story could talk about something else.

In the first year of Donald J. Trump's presidency, Daryle Lamont Jenkins, an Antifa activist, combats the rise of the alt-right movement, while Richard Spencer, an alt-right leader, fights to gain ground, culminating in a tragic showdown in Charlottesville.

自学成才的瑞士导演弗雷德·拜利夫新作。影片改编自导演当社工时期的工作经历和真实事件，讲述在瑞士一家为青少年提供安全居所的机构里发生的故事。影片打破传统叙事结构，采取以人物为索引的碎片叙事，同时深入这些经历过暴力等创伤的女孩们如何战胜心魔的历程，让每个人物的形象都丰富饱满。影片荣获2021年柏林电影节新生代青年单元最佳影片奖。

12岁的佩德罗生活在委内瑞拉首都加拉加斯，他由父亲安德烈一个人抚养，家庭条件十分艰苦。安德烈忙于为生计奔波，很少回家去看儿子。母亲早逝仿佛断掉了佩德罗和安德烈之间的交流纽带一样，父子俩其实并不能亲近彼此。一天，佩德罗和伙伴们玩游戏，因为小事争执起来。耳濡目染街区的暴力文化，佩德罗跟人大打出手，他失手误伤了别人。安德烈害怕被人报复寻仇，决定带着佩德罗离开这个街区。在逃亡的路上，压力与不安侵蚀着孤独的大人和茫然无措的孩子。父子必须学会彼此信任并如同家人一样相处。佩德罗想管教自己的儿子，却发现这只会让儿子更加不信任自己。在不断的冲突中，父子二人也本能地保护彼此。最终血浓于水，两个受伤无助的人重新学会了家的意义。