A proud black man and his school-teacher wife face discriminatory challenges in 1960s America.

A proud black man and his school-teacher wife face discriminatory challenges in 1960s America.

格兰几乎称不上是一个男人。由于太想唤醒自己的男子气概，他参加了一个尖叫原始疗法课程。然而即使周围的男人们都在声嘶力竭地吼叫，格兰还是发不出一丁点声音。最后，他被同班的另一个男人逼急了，而把某种东西释放了出来——一个微缩版、肆意妄行的自己。

格兰几乎称不上是一个男人。由于太想唤醒自己的男子气概，他参加了一个尖叫原始疗法课程。然而即使周围的男人们都在声嘶力竭地吼叫，格兰还是发不出一丁点声音。最后，他被同班的另一个男人逼急了，而把某种东西释放了出来——一个微缩版、肆意妄行的自己。

The short film begins as the two strangers who met online engage in a slow and awkward dance of getting to know each other after a passionate hook-up. Clyde, the older of the two and the owner of the house, attempts to make Wayne comfortable. Out of politeness, Wayne obliges him in small talks before picking up his clothes and leaving. Upon discovering commonalities between the two, their attraction in each other grows. They flirt and share laughs, and they gradually let their guard down. The turning point of their relationship happens when Wayne finds a photograph of Clyde and his boyfriend. Shocked and incensed, he relentlessly interrogates Clyde, and their exchange deteriorates into a heated and explosive debate as the two men stake out their positions on love, trust and monogamy. As Wayne puts on his final piece of clothing, covering himself up completely, he finally reveals his recent past that explains his impassioned disdain for infidelity. The two men share an unlikely moment of solidarity and empathy, and for the first time, they really see each other.

讲述一个年轻女子在前夫去世后独自去英国乡间度假的故事。 ​​​

丈夫过世之后，哈珀（杰西巴克利 饰）来到一处美丽的英国乡村疗伤，然而，这里的树林中似乎有某人或某物在跟踪她，这些潜藏在她心中隐约的恐惧，随着时间…

老苏下岗，被学校开除后就住在了我（胡新宇）这儿。极度痛苦时，就用酒精来麻醉自己。去北京找了趟工作回来，就接到婚姻介绍所打来的电话，从此电话就成了他的知音。 　　史霖也是单身一人，他的女友在广州。白天，代完他不多的几节课后，就提着气枪在外打鸟。晚上，在我这里，有时蹭顿饭。但他最终目的还是用我的电话说服他的女友来太原和他一起做些事情。 　　平时大家在一起，没有太多的爱好。除了有时候在外练练瞄准，在屋里坐着闲聊之外，更多时间和精力还是放在了电话联络上。终于，史霖等到了女友辞职过来的消息；在我的再三追问下，老苏破了他立志不谈女友的口，道出了他几年前的一段感情经历。现实不是一本固定的教科书。当老苏再一次为老问题困惑的时候，那些多年的经验和痛苦，早已经被他满腹哲理的牢骚所取代。