一只断手在巴黎的一间实验室里逃脱了不幸的命运，动身重新和身体连接在一起。在一次令人毛骨悚然的穿越城市冒险之旅中，断手与鸽子和老鼠等诸多阻碍做斗争，只为与披萨男孩劳伍菲尔重聚。断手对劳伍菲尔的回忆以及他对图书管理员加布丽尔的爱可能会让我们了解导致断手与身体的分离的原因，并为他们三人可能的重逢提供了诗意的背景。本片改编自获奥斯卡金像奖提名的纪尧姆·洛朗（《天使爱美丽》）的小说《Happy Hand》。

讲一只断手在巴黎游历，想回到主人的身体上，同时它回忆起主人——一位孤独的外卖小哥的人生。

What is a knight without his horse? An actor without an audience? A mother without her child? Lucie is all of these things: a working mum and wandering knight, in a film that keeps changing its setting and tone. After a relaxing stay at her grandmother’s house, with whom she leaves her daughter, she suddenly discovers herself in full medieval armour amongst rolling hills. The action then shifts to an empty theatre, where Lucie – in the same suit of armour – awakes amidst the chaotic preparations for a performance of King Lear. 　　Lucie, played by French-Belgian actress Lucie Debay (Melody, King of the Belgians), repeatedly whispers to herself: “Don’t lose track of things.” This debut feature film – by film and theatre maker Claude Schmitz – reflects on life, performance, dreams, and deeds. The Covid-19 pandemic’s effects on the performing arts are implicit, yet unmistakable in the existential undertone of Lucie’s quest.

What is a knight without his horse? An actor without an audience? A mother without her child? Lucie is all of these things: a working mum and wandering knight, in a film that keeps changing its setting and tone. After a relaxing stay at her grandmother’s house, with whom she leaves her daughter, she suddenly discovers herself in full medieval armour amongst rolling hills. The action then shifts to an empty theatre, where Lucie – in the same suit of armour – awakes amidst the chaotic preparations for a performance of King Lear. 　　Lucie, played by French-Belgian actress Lucie Debay (Melody, King of the Belgians), repeatedly whispers to herself: “Don’t lose track of things.” This debut feature film – by film and theatre maker Claude Schmitz – reflects on life, performance, dreams, and deeds. The Covid-19 pandemic’s effects on the performing arts are implicit, yet unmistakable in the existential undertone of Lucie’s quest.

西元2060年的地球，人口爆炸，造成严重的社会问题，为了抑制入人口，凡是生育超过一个小孩的人都必须处死。岂料有一个超级花花公子竟然让100个女人怀孕，导致生下100个具有相同好色基因(DNA)的小孩散布在世界各地。为了解决这个可怕的问题，未来政府派遣一位少女特使－－加林，穿越时空来到90年代，试图找出这个16岁的高中嫌犯：超级花花公子

主角罗立松是一名恪守职责的老警察，在一场意外中痛失爱子，但对方下落不明，为证明儿子并未失踪，临近退休的罗立松四处奔走寻找儿子的下落，最终皇天不负有心人，重于找寻到了儿子的下落，不仅还其清白，更证明人民警察“忠诚可靠、服务人民、竭诚奉献、作风优良，不负使命”的精神。

《我没有失踪》讲述了北川老警察罗立松在调查几年前失踪的女人韩晓丽时，发现她和自己昔日的邻居马成功有染，而这个马成功原本是当地有名的“十好”居家男人，同时，罗立松意外结识了一个叫周昆的神秘男人，他没想到，周昆原本就是韩晓丽的前夫，并且曾经是自己儿子罗刚手下的犯人，而他和罗刚在大地震期间的失踪有着直接的关系，他们都牵连进这桩失踪甚至是杀人案中。

《我没有失踪》讲述了北川老警察罗立松在调查几年前失踪的女人韩晓丽时，发现她和自己昔日的邻居马成功有染，而这个马成功原本是当地有名的“十好”居家男人，同时，罗立松意外结识了一个叫周昆的神秘男人，他没想到，周昆原本就是韩晓丽的前夫，并且曾经是自己儿子罗刚手下的犯人，而他和罗刚在大地震期间的失踪有着直接的关系，他们都牵连进这桩失踪甚至是杀人案中。