『マンハント』のアクション監督を務めた園村健介監督によるハードボイルドアクション。若いバーテンダーの梨奈が経営する中目黒のバー・HYDRAで調理を担当する男・高志。ある事件をきっかけに、高志の血塗られた過去が呼び起こされる。

围绕 1948 年的海得拉巴解放运动展开。记录了独立初期特伦甘纳邦及其人民面对军事和政治压迫，为恢复宗教和身份而进行的斗争。

该剧改编自英国作品，讲述了一个消失的人和一个追逐真相的女人的追踪惊悚故事。

该剧改编自英国作品，讲述了一个消失的人和一个追逐真相的女人的追踪惊悚故事。

在现代希腊，亚历克西斯的父亲，一位极其富有的航运大亨，当亚历克西斯遇见继母菲德拉时，火花四溅，两人开始了一段恋情。命运会给这个家庭带来什么？

A new English adaptation of the classic French tragedy Phèdre by Jean Racine (1639-1699). It retells the ancient Greek tale of the wife of the Atenian King Theseus, who conceived a forbidden love for his son (by an earlier wife) Hyppolytus. All ends badly for all.

Henry Chagall is a disgruntled scientist who suffers from impotence. His unfortunate situation leads him, and crippled assistant Hans, to explore unusual methods, including experimentation on fresh corpses. Henry finally succeeds in reanimating a deceased man's reproductive organs by injecting a volatile fluid. Although it will take a decade to safely use on living subjects, Chagall decides to test the serum on himself.

Henry Chagall is a disgruntled scientist who suffers from impotence. His unfortunate situation leads him, and crippled assistant Hans, to explore unusual methods, including experimentation on fresh corpses. Henry finally succeeds in reanimating a deceased man's reproductive organs by injecting a volatile fluid. Although it will take a decade to safely use on living subjects, Chagall decides to test the serum on himself.

捷基女士（伊莎貝雨蓓 飾）在市郊高中任教物理30年，卻是學校裡地位最低的小人物，更成為學生口中「無聊的老師」，捷基女士保守、膽小的性格，讓她選擇縮在角落，佯裝無視眼前的一切。但在一次實驗意外後，捷基女士發現自己變得截然不同，危險的海德太太現身，一改先前古板的教學方式，一連串的神秘事件也接踵而來……。

与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).