第一档专属男士的恋爱真人秀，邀请直率果敢的男士们入住「男之家」，彼此确认最真实的心意。

第一档专属男士的恋爱真人秀，邀请直率果敢的男士们入住「男之家」，彼此确认最真实的心意。

Rich Do-won lives off the libido of a sexual plaything girl named Yoo Min-hee. One day, his elder brother, Dae-ho, is kicked out of the company after his brother's business went bankrupt and he was raising money here and there. Dae-ho visits his wife Seong-ah and borrows money from Do-won. But he can't even pay back the interest and ends up being a fugitive, and Do-won takes advantage of this opportunity to approach Dae-ho's wife. After such a hard time, Dae-ho and Seong-ah run away. However, Dae-ho dies after being caught by Do-won, who was waiting in advance, and takes the baby home alone. As time goes by, Seong-ah's body heats up and wants an active relationship, and then Do-won's unconventional demands increase. And then one day, her husband who she thought was dead, came to see her.

强(Cuong)是一名广受景仰的男人，拥有成功事业、美丽娇妻和乖巧儿子，但在发现儿子的好友和他少时的秘密男友阿中(Thang)有所关联时，他的世界开始天翻地覆。这是一个关于秘密和仇恨的浪漫故事。但最终，真爱将有望佔上风。

强(Cuong)是一名广受景仰的男人，拥有成功事业、美丽娇妻和乖巧儿子，但在发现儿子的好友和他少时的秘密男友阿中(Thang)有所关联时，他的世界开始天翻地覆。这是一个关于秘密和仇恨的浪漫故事。但最终，真爱将有望佔上风。

两儿一女和同性恋妈妈组成的家庭由于家长的婚外情问题已经陷入分崩离析的状态，而长子忽然要在柏林结婚的消息，让全家人为了参加婚礼又凑到了一块。有意思的是，新娘以前同小儿子也恋爱过。一团糟乱中，这个家庭还能和好如初吗？

Rachel a 40 ans, pas d'enfant. Elle aime sa vie : ses élèves du lycée, ses amis, ses ex, ses cours de guitare. En tombant amoureuse d’Ali, elle s’attache à Leila, sa fille de 4 ans. Elle la borde, la soigne, et l’aime comme la sienne. Mais aimer les enfants des autres, c’est un risque à prendre…

Rachel a 40 ans, pas d'enfant. Elle aime sa vie : ses élèves du lycée, ses amis, ses ex, ses cours de guitare. En tombant amoureuse d’Ali, elle s’attache à Leila, sa fille de 4 ans. Elle la borde, la soigne, et l’aime comme la sienne. Mais aimer les enfants des autres, c’est un risque à prendre…

Two siblings meet a kind woman who they think would be the perfect new mother for them. But ultimately the decision is with their father, who is still in love with his last girlfriend… who did not get on well with the children. 　　The 1950s were a period of unseen creative growth in the USSR: all over the empire, even in republics that had underdeveloped film production capabilities, young talents made their visions and ambitions seen and heard. The Georgian SSR had already a rich heritage in film, so it was not astonishing that it became a vanguard of the Soviet Union’s new cinema. Its most astonishing new voice was Tengiz Abuladze whose particular sense of realism connected smoothly with similar tendencies in Italy, France or Great Britain. 　　Abuladze’s early works focused on children. Here, it’s two youngsters who feel neglected by their single father and so spend a lot of time on the streets where they meet a kind, young woman who starts to take care of them. When she meets the kids’ father they make it clear what they see in her: a potential new mother. Now, here’s the problem: the father feels still attached to a woman who couldn’t deal with the children… A stylishly shot, gentle masterpiece ripe for re-discovery!

Two siblings meet a kind woman who they think would be the perfect new mother for them. But ultimately the decision is with their father, who is still in love with his last girlfriend… who did not get on well with the children. 　　The 1950s were a period of unseen creative growth in the USSR: all over the empire, even in republics that had underdeveloped film production capabilities, young talents made their visions and ambitions seen and heard. The Georgian SSR had already a rich heritage in film, so it was not astonishing that it became a vanguard of the Soviet Union’s new cinema. Its most astonishing new voice was Tengiz Abuladze whose particular sense of realism connected smoothly with similar tendencies in Italy, France or Great Britain. 　　Abuladze’s early works focused on children. Here, it’s two youngsters who feel neglected by their single father and so spend a lot of time on the streets where they meet a kind, young woman who starts to take care of them. When she meets the kids’ father they make it clear what they see in her: a potential new mother. Now, here’s the problem: the father feels still attached to a woman who couldn’t deal with the children… A stylishly shot, gentle masterpiece ripe for re-discovery!