Au sommet d'un immeuble de style néo-classique, un homme regarde le ciel, une femme lit, les cheveux au vent.

http://www.imageforum.co.jp/ito/dvd_e.html 　　http://www.imageforum.co.jp/ito/dvd.html

http://www.imageforum.co.jp/ito/dvd_e.html 　　http://www.imageforum.co.jp/ito/dvd.html

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

少年斯琴图在最后一颗牙齿将要脱落的冬天，因为沉溺对母亲离去的思念和过往不算美好的回忆中，与父亲的关系总是没有很亲近，草原上筹备许久的围猎即将到来，父子二人计划前去参加，最后一颗牙齿脱落的那一年冬天，像清风一样，常常在梦境中出现在斯琴图的脑海中...

少年斯琴图在最后一颗牙齿将要脱落的冬天，因为沉溺对母亲离去的思念和过往不算美好的回忆中，与父亲的关系总是没有很亲近，草原上筹备许久的围猎即将到来，父子二人计划前去参加，最后一颗牙齿脱落的那一年冬天，像清风一样，常常在梦境中出现在斯琴图的脑海中...

We see a working dog, a beggar's dog, a shepherd's dog, and a milkman's dog. The working dog is locked inside a large wire wheel; the dog runs inside the wheel, turning it to run a machine. The beggar's dog pulls its legless master, who's sitting on a low cart, down the street. The shepherd's dog keeps a flock of at least 20 sheep in a tight circle. The milkman's dog pulls a cart on which is mounted a large cylinder of milk. A lad leads the dog to a house with a Dutch door; the top half of the door opens, and the lady of the house hands out a pitcher that the boy fills as the dog waits.

关天逸本是坐拥无上权势的至尊人皇，三年前因家族遭奸人陷害满门被斩，为守护家族机密，他孤身前往北境蛰伏。海雀作为北境四大天王之一，是关天逸最忠诚的下属与战友，始终为他坚守后方、传递关键情报。当海雀告知海城急报 —— 妻子苏卿被周家逼迫跳楼、妹妹关灵儿遭人欺辱，且周家正是当年参与灭门的仇敌时，关天逸毅然归来。他重拾人皇威势，携手海雀展开雷霆复仇，以绝对实力横扫周家及背后势力，不仅为家族洗刷冤屈、护住至亲，更在权谋纷争中重振皇图霸业，续写至尊传奇。

阿沙（Ondas Besikbasov 饰）由海军退役后回到草原，寄住在姐姐一家的帐篷里，姐夫将他介绍给附近最后一位待嫁的姑娘图潘，阿沙只顾将海上的见闻在对方二老面前聊得性起，岂料帷幕后的姑娘嫌他耳大。姐夫对阿沙相亲失败大感懊恼，羊群中的母羊频频难产，无法成家的阿沙却一时不能担负牧人的职责。难耐姐夫冷脸的阿沙再次登门求亲，虽然又被拒绝，但阿沙从门缝偷窥图潘以后，真的爱上了这位姑娘。 　　草原上的生活艰辛寂寞，收音机广播内的消息和好友托尼经常扮演着外界的诱惑。牧民迁徙的时节快要到了，阿沙与姐夫大吵后愤而出走，但他却被一只难产的母羊阻住了…… 　　本片获2008年戛纳电影节“一种关注”单元奖，东京电影节金麒麟奖。