As a tender friendship blossoms between 14 year old Elischa and Gisberta, the new cleaning help at the orphanage, the jealousy of the other boys becomes dangerously brutal.

As a tender friendship blossoms between 14 year old Elischa and Gisberta, the new cleaning help at the orphanage, the jealousy of the other boys becomes dangerously brutal.

John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). 　　John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. 　　Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. 　　Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. 　　When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. 　　Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. 　　John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. 　　The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.

John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). 　　John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. 　　Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. 　　Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. 　　When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. 　　Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. 　　John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. 　　The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.

谢尔盖·洛兹尼察是一位东欧历史的出色记录人。他的记录既涵盖了最近的事件，如《中央广场》（2014）中的乌克兰叛乱，也涵盖了更早的事件，如《国家葬礼》（2019）中的斯大林葬礼。他在展现过去时总是保持警觉，巧妙地运用档案素材，使观众仿佛成为现场目击者。在这部讲述1989年到1991年间，波罗的海国家立陶宛脱离苏联的影片中也是如此。这一以大量歌唱进行和平抗议的时期被称为"歌唱革命"。 　　作为独立运动的发起人之一，现年88岁的维陶塔斯·兰茨贝吉斯当时处于历史剧变的中心。借助大量关于示威活动、党代会和苏联军事干预的档案素材，他富于洞察力的思考得到补足。冗长的档案片段见证了在通往自由的道路上，兰茨贝里斯和他的同胞们所需要付出的耐心。这是一堂关于苏联解体的细致而引人入胜的历史课。 　　本片获IDFA竞赛单元最佳影片奖、最佳剪辑奖。

影片表现的是亨利三世国王亲自策划刺杀吉斯公爵的故事。其中“血腥的暴行通过人们所最熟悉的故事来激动观众，即使不用语言，观众也能完全了解。”《吉斯公爵的被刺》“在电影艺术史上成为一部划时代的重要作品”，成为电影由杂耍向艺术过渡的重要标志，并给予格里菲斯等后来的电影导演以深刻的影响。 　　这部影片在电影艺术史上的意义在于：第一：它在演员的表演方面有很大的变革，首次进行了在银幕上表现人物的心理尝试，用人物的性格代替了电影中传统的手舞足蹈的动作。从这部影片成功以后，就开始了一个用名作家、名导演、高尚题材和富丽场景来拍摄影片的时代。第二：它第一次采用了圣·桑作曲的专门的伴奏音乐，包括序曲和为其中五个场面编配的五段音乐，每一段都配合影片情调。

影片表现的是亨利三世国王亲自策划刺杀吉斯公爵的故事。其中“血腥的暴行通过人们所最熟悉的故事来激动观众，即使不用语言，观众也能完全了解。”《吉斯公爵的被刺》“在电影艺术史上成为一部划时代的重要作品”，成为电影由杂耍向艺术过渡的重要标志，并给予格里菲斯等后来的电影导演以深刻的影响。 　　这部影片在电影艺术史上的意义在于：第一：它在演员的表演方面有很大的变革，首次进行了在银幕上表现人物的心理尝试，用人物的性格代替了电影中传统的手舞足蹈的动作。从这部影片成功以后，就开始了一个用名作家、名导演、高尚题材和富丽场景来拍摄影片的时代。第二：它第一次采用了圣·桑作曲的专门的伴奏音乐，包括序曲和为其中五个场面编配的五段音乐，每一段都配合影片情调。

谢尔盖·洛兹尼察是一位东欧历史的出色记录人。他的记录既涵盖了最近的事件，如《中央广场》（2014）中的乌克兰叛乱，也涵盖了更早的事件，如《国家葬礼》（2019）中的斯大林葬礼。他在展现过去时总是保持警觉，巧妙地运用档案素材，使观众仿佛成为现场目击者。在这部讲述1989年到1991年间，波罗的海国家立陶宛脱离苏联的影片中也是如此。这一以大量歌唱进行和平抗议的时期被称为"歌唱革命"。 　　作为独立运动的发起人之一，现年88岁的维陶塔斯·兰茨贝吉斯当时处于历史剧变的中心。借助大量关于示威活动、党代会和苏联军事干预的档案素材，他富于洞察力的思考得到补足。冗长的档案片段见证了在通往自由的道路上，兰茨贝里斯和他的同胞们所需要付出的耐心。这是一堂关于苏联解体的细致而引人入胜的历史课。 　　本片获IDFA竞赛单元最佳影片奖、最佳剪辑奖。

谢尔盖·洛兹尼察是一位东欧历史的出色记录人。他的记录既涵盖了最近的事件，如《中央广场》（2014）中的乌克兰叛乱，也涵盖了更早的事件，如《国家葬礼》（2019）中的斯大林葬礼。他在展现过去时总是保持警觉，巧妙地运用档案素材，使观众仿佛成为现场目击者。在这部讲述1989年到1991年间，波罗的海国家立陶宛脱离苏联的影片中也是如此。这一以大量歌唱进行和平抗议的时期被称为"歌唱革命"。 　　作为独立运动的发起人之一，现年88岁的维陶塔斯·兰茨贝吉斯当时处于历史剧变的中心。借助大量关于示威活动、党代会和苏联军事干预的档案素材，他富于洞察力的思考得到补足。冗长的档案片段见证了在通往自由的道路上，兰茨贝里斯和他的同胞们所需要付出的耐心。这是一堂关于苏联解体的细致而引人入胜的历史课。 　　本片获IDFA竞赛单元最佳影片奖、最佳剪辑奖。

玛塔（玛吉特•卡斯滕森 Margit Carstensen 饰）和个性冷漠粗暴的父亲过着相依为命的生活，两人前往罗马度家，途中，父亲突发心脏病不幸身亡。玛塔并没有感到有多难过，相反，她第一次感受到了什么是自由。之后，玛塔邂逅了名为赫尔穆特（卡尔亨兹•伯恩 Karlhei nz Böhm 饰）的工程师，两人坠入了情网。 　　然而，赫尔穆特的个性和玛塔的父亲如出一辙，他不断的侮辱和虐待着玛塔，奇怪的是，玛塔似乎很享受这种虐待。玛塔和赫尔穆特携手步入了婚姻的殿堂，婚后，赫尔穆特对玛塔的虐待相比以前有过之而不及。最终，玛塔决定和自己的同事私奔，哪知道一场车祸不仅夺走了情郎的性命，还令玛塔失去了双腿。