This episode, better known as "Jimmy Kimmel Sucks" has Matt Damon kidnapping Jimmy and hijacking his show, where he proceeds to fire Guillermo and Cleto, replacing them with Andy Garcia and Sheryl Crow. Then he hires Robin Williams to do the opening monologue, gets kudos and congratulations from a number of celebrities and Jimmy's parents, who adopt Matt as "the son they really wanted". We are then shown Jimmy's attempts to audition, horribly, for every role Matt ever played. Many big-name celebrities make guest appearances on this show, including Jimmy's ex-girlfriend. The show ends with Jimmy getting bumped by Matt.

马尔科姆（沙美克·摩尔 Shameik Moore 饰）是一位决心不走寻常路的高中生，形式高调又异常古怪的他常常会成为众人眼中的怪胎，因此受到欺负和孤立，日子很不好过。对于马尔科姆来说，能够平平安安的度过高中的最后一个学年就是自己最大的心愿。 　　马尔科姆偷偷喜欢着名为纳吉亚（佐伊·克拉维兹 Zoe Kravitz 饰）的美丽姑娘，然而他甚至自己配不上对方，只能将这份感情埋藏在心底。某日，马尔科姆得知纳吉亚将要前往一个毒贩所举办的派对上游玩，于是亦紧随其后，哪知道却在误打误撞之中被卷入了毒品交易的黑暗漩涡中无法自拔，不仅惹上了杀身之祸，还不得不过起了东躲西藏的颠沛生活。

马尔科姆（沙美克·摩尔 Shameik Moore 饰）是一位决心不走寻常路的高中生，形式高调又异常古怪的他常常会成为众人眼中的怪胎，因此受到欺负和孤立，日子很不好过。对于马尔科姆来说，能够平平安安的度过高中的最后一个学年就是自己最大的心愿。 　　马尔科姆偷偷喜欢着名为纳吉亚（佐伊·克拉维兹 Zoe Kravitz 饰）的美丽姑娘，然而他甚至自己配不上对方，只能将这份感情埋藏在心底。某日，马尔科姆得知纳吉亚将要前往一个毒贩所举办的派对上游玩，于是亦紧随其后，哪知道却在误打误撞之中被卷入了毒品交易的黑暗漩涡中无法自拔，不仅惹上了杀身之祸，还不得不过起了东躲西藏的颠沛生活。

故事发生在初春的澳门。40 多岁，失婚、不善言辞的马达(张继聪饰)居住在准备迁拆的老房子，他患有严重的失眠症，无法入睡的他通过当夜间的士司机来排解失眠的痛苦。一天晚上马达接上了早上当酒楼知客，晚上当啤酒女郎的莲娜(周秀娜饰)，两人因误会成为朋友，马达更当上了莲娜上下班的专用司机。莲娜的出现令马达的生活多了一点色彩，甚至开始认为自己走出失婚的伤痛。在澳门，莲娜是寂寞的，身边的同事都不喜欢她，认为她就是一个很爱钱，不择手段的女人，因为她总是用上天赐予的性感身材去换取特殊待遇。莲娜心知马达的爱意，只是莲娜背后埋藏著一段未能释怀的过去⋯⋯

故事发生在初春的澳门。40 多岁，失婚、不善言辞的马达(张继聪饰)居住在准备迁拆的老房子，他患有严重的失眠症，无法入睡的他通过当夜间的士司机来排解失眠的痛苦。一天晚上马达接上了早上当酒楼知客，晚上当啤酒女郎的莲娜(周秀娜饰)，两人因误会成为朋友，马达更当上了莲娜上下班的专用司机。莲娜的出现令马达的生活多了一点色彩，甚至开始认为自己走出失婚的伤痛。在澳门，莲娜是寂寞的，身边的同事都不喜欢她，认为她就是一个很爱钱，不择手段的女人，因为她总是用上天赐予的性感身材去换取特殊待遇。莲娜心知马达的爱意，只是莲娜背后埋藏著一段未能释怀的过去⋯⋯

米琪街头遭遇危机，幸得唐启相救。误会后，两人在酒店撞见唐启女友出轨，唐启心灰意冷。突然，神光降临，唐启重生，伤口消失，力量涌现。重获新生的唐启偶遇米琪，见她为救父卖古董，被无赖骚扰，他挺身而出。得知米琪的困境，唐启决定伸出援手。两人结为朋友，共同面对生活挑战，寻找幸福。唐启在帮助米琪的过程中，找到了新的生活意义和价值。

吉米的父親是一個冷戰時期駐守台灣的美國黑人，吉米單親混血兒的背景加上他變裝皇后的身分，使得他一直在台灣社會邊緣遊走，卻有其獨特的生活方式。

In the 1830's, the island of Quemada in the Antilles is a Portuguese colony - that is, until an English agent provocateur arrives and inspires the black slaves to rise and expel the colonial authorities. However, as is always the way with revolutions, a group of middle-class power brokers seizes political control and the people's aspirations are betrayed. 　　Ten years pass, and the sugar industry now requires peace and stability on Quemada. The continuing guerilla campaign by the dispossessed blacks is harming profits. The very same English adventurer is once more despatched to the island, this time to hunt down and eradicate the revolutionaries he created. 　　Marlon Brando plays Sir William Walker in his best Fletcher Christian English accent and a blonde wig with a life of its own. His is a thoughtful performance, putting across the complexity of the man, a character who is undoubtedly cynical and unscrupulous, but who is also an emotional man and something of a political philosopher. He is certainly effective at what he does. 　　The direction of Gillo Pontecorvo is somewhat erratic at times. There are points where the narrative is confused, and the gold robbery which drives the plot somehow got left on the cutting-room floor. Jose Dolores' rise to power is the most significant event in the story, but we see nothing of it. During the voodoo carnival, two of the participants are wearing 20th-century soccer shorts. The film's central pivot, the passage of ten years between Walker's two visits to the island, is handled very sketchily by means of a few incongruous London scenes and a voice-over narration. 　　But there are good things, too. When Santiago's widow hauls her husband's body away, the masonry of the fort stands as a silent metaphor of colonial power - harsh, overbearing and sterile. Brando has some fine speeches, musing on the nature of political legitimism. The fire scenes are visually arresting (though it would have sufficed to have two or three guerillas being shot as they emerged from the burning sugar cane: seven or eight is labouring the point), and Walker is positively luminous against the tortured black shapes of the charred forest, showing in symbolic form that this man thrives on the suffering of the blacks, and that destruction is his natural element.

抗日战争时期，华北根据地龙门村有赵姓父子两人，父亲（舒适）是民兵队中队长，12岁的儿子海娃（蔡元元）则是儿童团团长。某天，赵父让海娃给八路军送一封有关攻打日军炮楼的鸡毛信，海娃装扮成放羊娃赶着一群羊携信上路。路途，海娃遇到敌人，急中生智把信藏在绵羊的尾巴之下，逃过一劫。