In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudović Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive? The answer to this question takes us into the story behind the images, on an intimate voyage with the man who filmed them. 　　As the cameraman of Yugoslav president Tito, Stevan Labudović captured an era of politics, personality and promise, filming the birth of the Non-Aligned Movement. Sent on missions by the President to film liberation wars, he would play a key role in the information battles that defined the era of decolonization. Together with Ciné-Guerillas, this film diptych examines the legacy of these extraordinary archives, seeking to project their political vision forward. 　　Non-Aligned re-traces the birth of the Non-Aligned Movement during the era of decolonization, and the personalities who defined it, examining how cinema gave expression to their political dream. 　　源自：https://www.idfa.nl/en/film/39f5e864-4439-413a-b67c-d3f7e1cf818b/non-aligned-scenes-from-the-labudovi%C4%87-reels

What do the Algerian war of liberation and Yugoslavia have in common? Stevan Labudović. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudović helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. This is a portrait of the man, the mission and the age – as film, ideological and personal history. 　　For three years, until the Democratic Republic of Algeria was proclaimed, Labudović put himself and his camera at the service of the people fighting for independence. Mila Turajlić found the newsreel footage shot at the time in the Filmske Novosti archive in Belgrade, got in touch with the aged pensioner and followed his trail. From a wealth of archive material, diary entries by and interviews with Labudović, with contemporary witnesses from Yugoslavia, Algeria and New York, where the young Maghreb state, like many other former colonies, struggled for admission to the United Nations, she distils the promising origins of an alliance that stood at the beginning of the Non-Aligned Movement, which was to oppose the dichotomy of the superpowers. Thus the bow to her compatriot also gains global political topicality.

吉米的父親是一個冷戰時期駐守台灣的美國黑人，吉米單親混血兒的背景加上他變裝皇后的身分，使得他一直在台灣社會邊緣遊走，卻有其獨特的生活方式。

Au cours d’un trop long été, Jimmy, un enfant de 13 ans que les circonstances forcent à devenir trop vite adulte, se cogne aux limites de sa petite ville et de sa vie heurtée, entre une mère à la dérive et un beau-père qui la tient sous sa coupe.

A failed New Jersey inventor embarks on a career as a standup comic, turns to drink, and labors to keep his family together

故事背景受30年来新西兰街头黑帮的真实故事的启发，讲述萨维奇在丹尼从一个男孩成长为一个帮派的暴力执行者的过程中，经历了生命中的三个反抗时刻。

故事背景受30年来新西兰街头黑帮的真实故事的启发，讲述萨维奇在丹尼从一个男孩成长为一个帮派的暴力执行者的过程中，经历了生命中的三个反抗时刻。

数学荒岛历险记3是《荒岛历险记》数学系列的第三部作品，是一部凝合了数学科普教育与少年励志为创作主题的动画连续剧。故事承接了第一部和第二部的剧情。讲述了博士只做了3分钟“世界之王”，就立马被打回原形了。原来愿望之码一旦被激活，便可掌控自己的意愿，它告诉大家，要想获得真正的愿望，必须要比赛答题。答对1道数学题，可以实现1个3分钟的愿望，答对8道数学题，可以实现1个永久愿望。 由此，博士和罗克双方才开始真正的较量。国王、花花、依依、小强等荒岛伙伴能适应地球的新生活吗？罗克和UBIQ又会如何迎接新挑战，解除荒岛危机呢？而博士也拉拢了一个新帮手，博士经典的愚蠢阴谋功力会不会大增呢？摆脱各方控制的愿望之码，又将会有怎样令人称奇的表现？新危机，新挑战，新故事，一场全新的数学较量马上就要展开了。