三位三十多岁的巴黎好友在奥地利的群山里迷失了方向，他们也借此契机对自己的生活展开了反思。

在拉德福德（Radford）和英佩（Impey）执导的这部艺术感十足的黑白影片中，一场简单的网络会面演变成了一个充满激情与自我探索的浪漫周末。

Amazon过去预订一部半小时未命名喜剧试映集（前名《同光谱 On the Spectrum》），这部Jason Katims负责的喜剧改编自以色列剧《同光谱》，讲述三个20多岁﹑同样患有自闭症光谱的室友（患有此自闭症的特征是缺乏社交活动，并会重复某种行为），他们都渴求找到能持久下去的工作﹑朋友﹑伴侣，以及共同应付这个不太欢迎他们的世界。 Rick Glassman饰演Jack，聪明的他是个出色的电脑程序员，但他毫无过滤式的诚实往往搞垮了身边的事。诚挚的他不懂得处理﹑表达自己的情感，这很大程度上影响了他为数不多的关系。Sue Ann Pien饰演Violet，她是个会展示自身任何感觉的人，最大的希望是能像同龄人一般找到好工作及男友。 Albert Rutecki饰演Harrison，热切﹑有爱﹑易笑﹑慷慨（假如有钱时）的他是个忠心好友，但完全不会社交，一方面是他对离开公寓的强烈抵制，另一方面则是他搞不懂应付别人的规则。Sosie Bacon饰演Mandy，幽默的她被聘请来指导三人组如何独立生活；不过在Mandy照顾室友们的同时，她亦在摸索自己的未来。Chris Pang饰演Van，Violet的可靠哥哥。虽然看着傲慢，但Van一直为妹妹而努力，并在「妹妹的唯一监护人」及「自己的29岁生活」中取得平衡。

90年代末，詹姆斯·毕夏普在好友协助下应对复杂的失恋状况，同时争分夺秒，赶在僵尸末日来临前完成自己的书。

Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades.

入围圣丹斯电影节美国纪录片竞赛。布朗克斯说唱歌手肯巴（Kemba）探索了说唱歌词在美国及其他国家刑事司法系统中日益被用作武器的现象——揭示了执法部门几十年来如何悄然将艺术创作用作刑事案件的证据。

与一种反复发作的女性疾病斗争多年后，陈伊琳被告知彻底摆脱病痛的唯一方式是放弃做母亲的能力。在一次回老家的特殊探访中，她不知是否要告知母亲自己的困境。

首部场记板已为合作项目《同志们，我们搞定啦！》（We're on It, Comrades!）敲响，这是捷克电视台（Czech Television）与德国广播公司ZDF的联合制作。这部八集喜剧悬疑迷你剧由吉里·马查切克（Jiří Macháček）饰演调查员大卫·扎伊奇（David Zajíc），他是个超自然现象怀疑论者；扬·奇纳（Jan Cina）饰演天真热情的科学家沃伊塔·贝克（Vojta Bek）。这二人将调查外星人绑架、宗教……

ChristianKempenichistheChiefClerkintheTownCouncilinasmalltownontheriverMoselinGermany.HegoestoColognetoattendafamilybaptism,andafterwardsisluredtosamplethewickeddelightsofthebigcity.Hewakesupthenextmorninginacheaphotelroomwithnomemoryofwhathappened,butthere'sastrangewomanasleepinthebedwithhim.Horrified,heheadshomewithhisguiltysecret.Meanwhilehiswifewentontheriversteamertothenexttown;anItaliantenorhasbeengivinghersinginglessonsandhasamorousintentionstowardsher,andhetakesthesamesteamer.TheystayonittoKoblenzandhavetostaythenight.TherestofthefilmrevolvesaroundKempenichandhiswifeastheyalternatelyshowguiltabouttheirownbehaviourandoutrageastheylearnwhattheirspousemighthavedone.

影片讲述的是6个多塞特劳工被驱逐到澳大利亚，并在1830年组建了史诗般的托尔普德尔蒙难者联盟工会…… "Comrades" has been described as one of the lost masterpieces of European cinema. It appeared in 1987 to critical acclaim then disappeared almost as quickly. For my opinion Bill Douglas's masterpiece stands alongside the best of Tarkovsky, Bresson and Bergman. Within minutes the viewer is pulled into a story of love and passion, solidarity and bravery. 'Comrades' is not just one-dimensional political polemic either. Far from it. Nor just a historical epic. This is character-driven story-telling of the highest order, definitely, although there are many layers to the film. It fuses and transcends both narrative drama and the avante garde and cries out for further viewings. In many ways 'Comrades' is an experimental visionary movie as well as a tribute to the cinema that came before cinema. (Watch out for the magic lanternist who appears in many guises.) Interestingly, the famous actors of the day - who Douglas didn't want in the film but was forced to use - were cast as the affluent classes while complete unknowns were cast as the Martyrs and their families. Director Bill Douglas was a man knew about poverty and struggle. He was raised in abject poverty in Newcraighall, which was then an impoverished mining village on the outskirts of Edinburgh. His autobiographical 'Trilogy' - filmed in a post-war Newcraighall that is now gone - is his only other cinematic output. But what a work! It is by far the finest cinematic achievement to ever come out of Scotland. Even the film scripts of 'Trilogy' are works of literature in their own right.