Ilan, an adolescent boy who lives in a farming community, is in constant clash with his father. He accidentally finds a stack of letters in the house attic, letters from his sister Dalya, that never reached him. Through these letters he learns the story of his sister's disappearance, and some facts about his life and his deceased mother. 　　He decides to run away to his sister. A complex relationship develops between the two. Ilan gets closer and closer to his sister's eccentric neighbor. The neighbor, an aging communist with a grand military past, runs, with Ilan's help, a battle against the authorities. 　　The story starts as a conventional adolescent drama but quickly turns into a fascinating and unexpected maturing journey.

孽缘之神苏念雪下凡附身于枉死少女，救下遭刺杀的陆以霆，被迫卷入豪门阴谋。她既要应对苏欣妍的追杀，又要与陆以霆斗嘴合作，却在法力失控时发现彼此竟是命定孽缘。婚礼上苏欣妍施法搅局，月老破咒助其复仇。谢波疯狂反扑，陆以霆舍命相护，苏念雪以法力换他重生。当孽缘石再次指引，她选择为爱放弃任务，最终为陆以霆挡枪濒死，方知这段孽缘早已修成正果。天界重逢月老，苏念雪终得圆满，与陆以霆在人间相守.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Ginger Rogers stars in this rousing, patriotic drama as Jo, a young woman whose husband (Robert Ryan) goes off to fight the Nazis, leaving her home, poor and pregnant. In order to make ends meet, Jo takes a job riveting planes and then moves into an all-girl commune with three other women (Ruth Hussey, Patricia Collinge, and Kim Hunter). It's a touching illustration of grace under pressure as the ladies pool their money and share the household chores while nervously awaiting word about the fate of their brave husbands overseas. 　　The major irony is that the film's title, along with the concept of the women pooling their salaries and living together in a commune-style environment, prompted the HUAC to later use this film as part of their case in blacklisting writer-director Edward Dmytryk, despite the movie's patriotic premise. Whatever one's take on the film today, it was a big hit at the time of release and is certainly unusual from a historical perspective. No other film before or since has offered such a strange blend of genres: part wartime morality booster, part unashamed tearjerker, and part (perhaps) communist propaganda. As a curious piece of history, it is certainly worth rediscovering.

2人の子どもを抱える二枚目弁護士と下町の銭湯屋の娘の2人が対立するが、次第にお互いを意識し始める下町人情ラブコメディ。

2人の子どもを抱える二枚目弁護士と下町の銭湯屋の娘の2人が対立するが、次第にお互いを意識し始める下町人情ラブコメディ。

七年前，顾星晚捅了自己的亲生父亲，银铛入狱。五年前，宴矜撑着伞等在监狱门口，得到的只一句早就出狱了。时隔七年再重逢，她看着他怔愣，他却说自己不认识她，便转身离开。后来，顾星晚从旁人口中得知，这位律界大佬宴律已经有了未婚妻。于是顾星晚喊口不言，她曾在狱中为他生下 了一个孩子。