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The Overwatch Cinematic Trailer is an animated short shown at Blizzcon 2014. It was the first piece of Overwatch media released to the public. 　　In a time of global crisis, an international task force of heroes banded together to restore peace to a war-torn world. This organization, known as Overwatch, ended the crisis and helped maintain peace for a generation, inspiring an era of exploration, innovation, and discovery. 　　After many years, Overwatch's influence waned and it was eventually disbanded. Now in the wake of its dismantling, conflict is rising once again. Overwatch may be gone…but the world still needs heroes.

The Overwatch Cinematic Trailer is an animated short shown at Blizzcon 2014. It was the first piece of Overwatch media released to the public. 　　In a time of global crisis, an international task force of heroes banded together to restore peace to a war-torn world. This organization, known as Overwatch, ended the crisis and helped maintain peace for a generation, inspiring an era of exploration, innovation, and discovery. 　　After many years, Overwatch's influence waned and it was eventually disbanded. Now in the wake of its dismantling, conflict is rising once again. Overwatch may be gone…but the world still needs heroes.

Invited by the Viennale, the legendary 90-year-old French film essayist Chris Marker has recently created a one-minute festival trailer, following in the footsteps of directors such as Agnès Varda, Stan Brakhage, Jean-Luc Godard and David Lynch, who have done so in the past. The Viennale has chosen Marker’s work as its “anniversary trailer” because in it, Marker – like no other director before him – deals with the history of cinema in a playful and surprising manner. More precisely, he deals with the question of “the perfect viewer” that cinema has been looking for since the father of film, D. W. Griffith. Chris Marker ultimately finds this ideal viewer at the end of his small essay in an unexpected figure. See for yourself.

Invited by the Viennale, the legendary 90-year-old French film essayist Chris Marker has recently created a one-minute festival trailer, following in the footsteps of directors such as Agnès Varda, Stan Brakhage, Jean-Luc Godard and David Lynch, who have done so in the past. The Viennale has chosen Marker’s work as its “anniversary trailer” because in it, Marker – like no other director before him – deals with the history of cinema in a playful and surprising manner. More precisely, he deals with the question of “the perfect viewer” that cinema has been looking for since the father of film, D. W. Griffith. Chris Marker ultimately finds this ideal viewer at the end of his small essay in an unexpected figure. See for yourself.

央视 八集电视纪录片《绍兴：一座名城的2500年》以史为据,借助现代科技手段,融史料拍摄、动画制作、情景再现、专家学者采访于一体,从理性的角度诠释一段段封尘的历史,解读了历史文化名城绍兴别样的多元文化。该片获2010年度浙江省广播电视新闻奖一等奖。

央视 八集电视纪录片《绍兴：一座名城的2500年》以史为据,借助现代科技手段,融史料拍摄、动画制作、情景再现、专家学者采访于一体,从理性的角度诠释一段段封尘的历史,解读了历史文化名城绍兴别样的多元文化。该片获2010年度浙江省广播电视新闻奖一等奖。

A stationary camera records four men, in a line facing the camera, costumed, dancing enthusiastically. Three are in kilts and Scottish garb, the fourth wears the suit of an eighteenth- or nineteenth-century dandy. They dance in front of a backdrop of dark curtains with "Dewar's Scotch Whisky" in bold letters above. At the end of the one-minute film, they stop dancing and move as if to enter the curtained rooms behind them, perhaps to knock back a Dewar's. Written by {[email protected]}

A stationary camera records four men, in a line facing the camera, costumed, dancing enthusiastically. Three are in kilts and Scottish garb, the fourth wears the suit of an eighteenth- or nineteenth-century dandy. They dance in front of a backdrop of dark curtains with "Dewar's Scotch Whisky" in bold letters above. At the end of the one-minute film, they stop dancing and move as if to enter the curtained rooms behind them, perhaps to knock back a Dewar's. Written by {[email protected]}