雷克斯作为女王的皇家首席狗狗，是一只在白金汉宫过着奢靡生活、备受宠爱的小柯基犬。一次意外让它流落伦敦街头，闯入流浪狗中心，他将如何自我救赎并重…

雷克斯作为女王的皇家首席狗狗，是一只在白金汉宫过着奢靡生活、备受宠爱的小柯基犬。一次意外让它流落伦敦街头，闯入流浪狗中心，他将如何自我救赎并重返皇宫？一场民间和皇家萌犬的冒险即将上演......

雷克斯作为女王的皇家首席狗狗，是一只在白金汉宫过着奢靡生活、备受宠爱的小柯基犬。一次意外让它流落伦敦街头，闯入流浪狗中心，他将如何自我救赎并重返皇宫？一场民间和皇家萌犬的冒险即将上演......

这是一支来自韩国动画工作室도기코기 Doggie Corgi出品的超萌动画合集，动画以一只呆萌小柯基为主角，讲述它和朋友们在一起的日常，可爱的狗子们搭配可爱的画风，简直不要太萌！

这是一支来自韩国动画工作室도기코기 Doggie Corgi出品的超萌动画合集，动画以一只呆萌小柯基为主角，讲述它和朋友们在一起的日常，可爱的狗子们搭配可爱的画风，简直不要太萌！

主要讲述了喜欢魔术的高中生黑羽快斗，在自己房间内一道隐藏的门后的密室里发现了世界闻名的大盗怪盗基德的服装。之后，身着怪盗基德服装的快斗遇见了父亲——世界知名的魔术家黑羽盗一以前的助手寺井黄之助，从他的口中得知自己的父亲正是怪盗基德，而且他并非死于意外，而是被人暗杀。为了找出杀害父亲的人，快斗决定以第二代怪盗基德的身份开始着手调查父亲真正死因。在以怪盗基德的身份活动的某日，快斗与称呼自己为“黑羽盗一”的神秘组织相遇，而该组织正是他的杀父仇人，故事也由此正式拉开帷幕。

《魔术快斗1412》是根据日本漫画家青山刚昌创作漫画《魔术快斗》改编而成的电视动画系列，是继之前以《名侦探柯南》特别篇的形式间断播出的TMS版《魔术快斗》动画后，独立播出的动画系列。

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.