http://www.tudou.com/programs/view/clp831OJkiw/

http://www.tudou.com/programs/view/clp831OJkiw/

内尔•格雷登（Noel Graydon），一个澳大利亚摄影师。与其他摄影师不同之处在于，格雷登的镜头往往对准某个特殊群体——恋物者。 　　虐恋文化（BDSM）是当今欧美颇为盛行的异类流行文化。入道5年，格雷登被训练成出色的BDSM主人和摄影师。跟随他的讲述，导演向观者展示了这个鲜为人知且带有神秘、禁忌的世界。格雷登及其同好介绍了针刺、紧缚、刺青、皮革等虐恋亚文化，连同其他受访者首次公开这一特殊族群的真实内心世界。 　　本片荣获2004’纽约CineKink电影节最佳纪录短片奖。

内尔•格雷登（Noel Graydon），一个澳大利亚摄影师。与其他摄影师不同之处在于，格雷登的镜头往往对准某个特殊群体——恋物者。 　　虐恋文化（BDSM）是当今欧美颇为盛行的异类流行文化。入道5年，格雷登被训练成出色的BDSM主人和摄影师。跟随他的讲述，导演向观者展示了这个鲜为人知且带有神秘、禁忌的世界。格雷登及其同好介绍了针刺、紧缚、刺青、皮革等虐恋亚文化，连同其他受访者首次公开这一特殊族群的真实内心世界。 　　本片荣获2004’纽约CineKink电影节最佳纪录短片奖。

Pacheco has a phobia of small animals (insects, worms, lizards and so on). His father, in an attempt to help him get over his phobia, exposes him to a very unusual therapy: he makes him sleep with some of these animals closed in a jar and kept in the house. 　　In this way, Pacheco slowly gets used to contact with the animals and is finally able to overcome his initial repugnance to the point of even feeling affection for them. So much so that the final result goes way over his father’s wildest expectations…

Pacheco has a phobia of small animals (insects, worms, lizards and so on). His father, in an attempt to help him get over his phobia, exposes him to a very unusual therapy: he makes him sleep with some of these animals closed in a jar and kept in the house. 　　In this way, Pacheco slowly gets used to contact with the animals and is finally able to overcome his initial repugnance to the point of even feeling affection for them. So much so that the final result goes way over his father’s wildest expectations…

音乐也许没有国界，但不会没有祖籍。这是一次沿着余音观望来路的尝试。我们也许在科学语境下曾经了解过一些西洋乐器，但关于自己的传统民乐却一直很少如此剖析。本片将从具体的传统乐器和奏鸣技巧入手，通过科学解构、演绎解析等诸多全新手段和视角，从美学、哲学、科学多方面交互解读，以现代影音重新泛起那种似曾相识的共鸣。

影片展現了人迹罕見的阿根廷彭巴（The Pampa）草原上一位孤獨伐木工的生活，人物對白極少，幾乎就是一部紀錄片。影片采用倒叙（亦可理解爲環形結構），伐木工米薩爾（Misael）在雷聲中進食，火光映紅他帶有印第安人特征的面孔。随後影片開始叙述他在過去一日中的一系列行爲：伐木，去枝削皮，午休，等朋友開 ... 車接送木材，半途朋友下車，他開車，賣木頭給收購人，讨價還價，到小賣店買煙，和店主閑聊，将車子交還...