偶像组合「极道少女」的妹子原本是黑社会犬金组的男性流氓，因为做错事，被犬金组组长送到了泰国接受了变性整容手术，成为了外表可爱的三名妹子。 　　…

做事沉稳可靠，深受小弟信赖的大哥山本健太郎、脾气有些火爆，总是行动比头脑先行的立花亮和对黑道生活充满了憧憬渴望能够干出一番大事业的杉原和哉是黑…

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. 　　Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. 　　Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

The series tells the story of the family lives of the police officers working in a special team of the Istanbul Police Department's Public Security Department and their adventures on the streets of Istanbul. The team encounters different and diverse human stories during their missions. The Istanbul Police Chief Rıza Soylu (Zafer Ergin), with his years of experience and fatherhood, approaches these stories, which at times make them smile and at other times are heartbreaking, and guides the other young members of the team.

法国第一部由华人女演员饰演女主角的影片，电影讲述一名无证中国女子林爱玉，瞒着14岁女儿秀樱在巴黎美丽城街区卖淫的传奇故事。《站街女》先后参加比利时纳穆尔(NAMUR)、加拿大多伦多以及法国昂热(ANGERS)电影节。在昂热电影节，电影主演邱岚获得最佳女主角提名。近日，《欧洲时报》记者採访了邱岚，为大家讲述了作为一名华人女子，她对影片女主人公的理解，以及她本人从“雾”走到“悟”的奋斗历程与心路旅程。

顾雄与章捷民的两家酒帘经常为了利益冲突而拼个你死我活。曾经与顾雄共过患难的周志强与章捷民的妹妹珍妮相恋，令章捷民为之气结。 　　为了珍妮，章捷民与顾雄两帮人马发生大激斗。拉扯之中，章捷民刺死了顾雄，怒火中烧的周志强也误杀了章捷民，事情越闹越大……

Back Street is a 1961 film made by Universal Pictures, directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the novel by Fannie Hurst. The music score is by Frank Skinner. The film stars Susan Hayward, John Gavin and Vera Miles. 　　The story follows two lovers who have limited opportunities to get together because one of them is married. 　　It was nominated for Academy Award for Best Costume Design, Color (Jean Louis). Unlike the previous film versions, this one gives Susan Hayward plenty of opportunity to appear in Jean Louis's spectacular gowns. This was a trademark of Ross Hunter's remakes of older "weepies"; he emploied the same method in Lana Turner's versions of Imitation of Life and Madame X. 　　Of all three screen versions of Back Street, this 1961 production took the most dramatic license with the novel. It is different from both the 1932 and 1941 screen versions in many ways - changing the names of several characters and updating the story to what was then the present day. Good examples of how the plotline was sensationalized in this third version are the attempted suicide and the fatal car crash.