一个孤独的海军水手爱上了一个妓女，在他的服役记录被丢失的期间，他成为了她儿子的代理父亲。

At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit.

At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit.

身世坎坷的安娜虽然是私生女，但仍得到了温暖的父爱。在父亲和情人的一次幽会中，情人的丈夫失手打死了父亲，从此安娜备受父亲的妻子的欺凌。安娜被迫嫁给了一个老实本分的屠夫，然而安娜依旧忘不了故交马贩子奈德……

身世坎坷的安娜虽然是私生女，但仍得到了温暖的父爱。在父亲和情人的一次幽会中，情人的丈夫失手打死了父亲，从此安娜备受父亲的妻子的欺凌。安娜被迫嫁给了一个老实本分的屠夫，然而安娜依旧忘不了故交马贩子奈德……

Director Marita Giovanni's film is based on a play by Lauran Hoffman. Hoffman's material may get tied up in psychobabble but she has an ear for entertaining dialogue and mercilessly avoids the archness usually associated with lesbian drama. Set around an LA Girl bar it focuses on Loretta (Nancy Allison Wolfe), a beautiful red-haired cartoonist, and her romance with actress Rachel (Liza D'Agostino). 　　 　　Wolfe's performance is droll and moving, and she manages to throw off the bad ideas Giovanni and Hoffman aim at her. She also deliberately approximates the glamour of Rita Hayworth from Gilda. Her apartment features the famous poster of Hayworth smoking, as well as a huge closeup of Lotte Lenya's eyes. The character of Rachel is less interesting though D'Agostino holds her own with Wolfe in their fight scenes. I also like Loretta's ditzy friend Veronica (Justine Slater), a straight woman `enchanted' by the idea of a lesbian affair. Those wanting to see a graphic sex scene will not be disappointed but it felt to me Giovanni cut away at a climactic (no pun intended) moment. 　　 　　The awful soundtrack suggests the film's low budget, as does the underpopulated bar, though this underpopulation serves Hoffman's incestuous roundelay theme. Note a cameo by Chastity Bono at Scorpio night.

Director Marita Giovanni's film is based on a play by Lauran Hoffman. Hoffman's material may get tied up in psychobabble but she has an ear for entertaining dialogue and mercilessly avoids the archness usually associated with lesbian drama. Set around an LA Girl bar it focuses on Loretta (Nancy Allison Wolfe), a beautiful red-haired cartoonist, and her romance with actress Rachel (Liza D'Agostino). 　　 　　Wolfe's performance is droll and moving, and she manages to throw off the bad ideas Giovanni and Hoffman aim at her. She also deliberately approximates the glamour of Rita Hayworth from Gilda. Her apartment features the famous poster of Hayworth smoking, as well as a huge closeup of Lotte Lenya's eyes. The character of Rachel is less interesting though D'Agostino holds her own with Wolfe in their fight scenes. I also like Loretta's ditzy friend Veronica (Justine Slater), a straight woman `enchanted' by the idea of a lesbian affair. Those wanting to see a graphic sex scene will not be disappointed but it felt to me Giovanni cut away at a climactic (no pun intended) moment. 　　 　　The awful soundtrack suggests the film's low budget, as does the underpopulated bar, though this underpopulation serves Hoffman's incestuous roundelay theme. Note a cameo by Chastity Bono at Scorpio night.

A steamship originating from San Francisco has just docked on the South Pacific island of Tutuila at the port of Pago Pago, where some US Marines are stationed. Among the passengers is Sadie Thompson, for who Pago Pago is only a transit stop in that she is on her way to Apia on the nearby island of Upolu, where she is to start work for the steamship company itself. Circumstances force her to stay in Pago Pago additional days, which places her in a difficult situation as she starts to run out of money. Sadie is either fun-loving or a harlot depending on one's perspective; Mr. and Mrs. Alfred Davidson, fellow passengers on that steamship, hold the latter perspective. Davidson, a self-professed deacon, is a reformer who has the ear of all the governors representing the South Pacific islands. His self-righteous and sanctimonious beliefs and attitudes include sinners needing to show true penance to achieve ultimate salvation. He believes that Sadie is a prostitute who will continue to ply her trade in Apia. He is only half right as she was a prostitute in San Francisco, until she left to start life anew. Davidson confronts her with his beliefs about her, threatening to get the governor to deport her back to San Francisco, which would be her worst nightmare as she is also escaping other things in San Francisco. By this time, Sadie and U.S. Marine Sergeant Tim O'Hara have fallen in love; Tim knows her past but still wants to marry her and take her to start a new life in Sydney. Tim does what he can to stop the powerful Davidson, who is not as righteous as he wants the world to believe.

A steamship originating from San Francisco has just docked on the South Pacific island of Tutuila at the port of Pago Pago, where some US Marines are stationed. Among the passengers is Sadie Thompson, for who Pago Pago is only a transit stop in that she is on her way to Apia on the nearby island of Upolu, where she is to start work for the steamship company itself. Circumstances force her to stay in Pago Pago additional days, which places her in a difficult situation as she starts to run out of money. Sadie is either fun-loving or a harlot depending on one's perspective; Mr. and Mrs. Alfred Davidson, fellow passengers on that steamship, hold the latter perspective. Davidson, a self-professed deacon, is a reformer who has the ear of all the governors representing the South Pacific islands. His self-righteous and sanctimonious beliefs and attitudes include sinners needing to show true penance to achieve ultimate salvation. He believes that Sadie is a prostitute who will continue to ply her trade in Apia. He is only half right as she was a prostitute in San Francisco, until she left to start life anew. Davidson confronts her with his beliefs about her, threatening to get the governor to deport her back to San Francisco, which would be her worst nightmare as she is also escaping other things in San Francisco. By this time, Sadie and U.S. Marine Sergeant Tim O'Hara have fallen in love; Tim knows her past but still wants to marry her and take her to start a new life in Sydney. Tim does what he can to stop the powerful Davidson, who is not as righteous as he wants the world to believe.

全新旅游实境节目《出发吧女孩》将由三位活泼女孩陪伴大家一同旅行，放开3C~说走就走，实境深度旅游，一起来期待女孩们的旅行会发生什么样的趣事吧~