“你为我打call 我打call给你环节” 练习生与幸运粉丝通电话的衍生综艺。

“你为我打call 我打call给你环节” 练习生与幸运粉丝通电话的衍生综艺。

该片通过一个代驾司机李渤的眼睛，展现人生百态，社会热点，虽然故事发生在夜晚，只是一段或长或短的车程，却让代驾司机李渤一次次生出念头，相对醉倒在眼前或哭或笑的人说一句，你这样做，不会后悔吗…………

小有成就的李渤 （ 田雨 饰）因一场意外决心踏入代驾行业，昼伏夜出的生活，让李渤意外见证了不同人的“酒后真言”、人生百态、社会热点，虽然故事发生在夜晚，只是一段或长或短的车程，但李渤也因此踏上了一场自我救赎之旅，究竟是怎样的原因令他甘愿走出“舒适圈”，化身“都市夜行者”穿梭于满满烟火气息的城市街头，不禁令人遐想 。

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."

Ekim和Leila是两个像姐妹一样亲密的年轻青少年。他们在一个简陋的社区过着简朴的生活，但他们总是羡慕那些在Dogru高中上学的富家子弟，这是一所专门为富裕家庭的孩子开设的中学。有一天，一辆汽车撞上了莱拉，罪犯逃离了犯罪现场，他走向学校，把车藏在停车场。当一个女孩因为学校的某个人而在轮椅上度过余生的消息传开时，校长决定向莱拉附近的三名学生提供奖学金，以掩盖坏消息。Ekim、Bekir 和 Ayse 被选中在该市最负盛名的学校开始他们的新生生活，但他们很快就明白他们的生活实际上将变得更加艰难;他们将不得不在富家子女中为生存而战，他们会惊讶地发现富人的生活与他们想象的截然不同。

Ekim和Leila是两个像姐妹一样亲密的年轻青少年。他们在一个简陋的社区过着简朴的生活，但他们总是羡慕那些在Dogru高中上学的富家子弟，这是一所专门为富裕家庭的孩子开设的中学。有一天，一辆汽车撞上了莱拉，罪犯逃离了犯罪现场，他走向学校，把车藏在停车场。当一个女孩因为学校的某个人而在轮椅上度过余生的消息传开时，校长决定向莱拉附近的三名学生提供奖学金，以掩盖坏消息。Ekim、Bekir 和 Ayse 被选中在该市最负盛名的学校开始他们的新生生活，但他们很快就明白他们的生活实际上将变得更加艰难;他们将不得不在富家子女中为生存而战，他们会惊讶地发现富人的生活与他们想象的截然不同。