Jung-kyoung is looking for her younger sister Hoo-kyoung while Chang is a computer whiz who stays on at the rest stop after losing his job. KIM Bak is a reporter and photographer for the local Tongyeong media who frequents the rest stop. Onna is a famous blogger who works at the rest stop and dreams of a new Asian highway. It is also the virtual journey of the 880-thousand-won generation. They show the sense of loss, loneliness, and communication in this digital age. An older sister searching for a young sister who has run away from home, an animator who wanders around aimlessly after leaving his job, a reporter, and the employees of the rest stop.

一个穿着罩袍的外国妇女带着儿子到哥本哈根警察局申诉遭遇丈夫家暴，但分给她的翻译员似乎不愿意真实传达她的表述。这是一部关于文化隔阂与官僚愚昧的电影。

一个穿着罩袍的外国妇女带着儿子到哥本哈根警察局申诉遭遇丈夫家暴，但分给她的翻译员似乎不愿意真实传达她的表述。这是一部关于文化隔阂与官僚愚昧的电影。

在广袤无垠的青藏高原腹地玉树，藏域圣地“念经湖”边居住着一户牧民，夏季他们逐水草而居，与牦牛为伴，怡然自得，日子过的平淡却也惬意。突如其来的降雪阻塞了进山的唯一要道，所有的车辆都已无法正常通行。牦牛和人过冬的物资还没储备完毕，若不设法解决，牧民家将蒙受巨大的经济损失。在矛盾之中，他们将会如何解决生活的困境？ 　　In Yushu, the vast hinterland of the Qinghai Tibet Plateau, and by the Tibetan Holy Land "Nianjing Lake", there is a herdsman. In summer, they live by water and grass, with yaks as companions. They live a simple but comfortable life. The sudden snowfall blocked the only way into the mountain, and all the vehicles were unable to pass normally. Yak and human winter supplies have not been fully reserved, if not solved, herdsmen will suffer huge economic losses. In the contradiction, how will they solve the dilemma of life?

在广袤无垠的青藏高原腹地玉树，藏域圣地“念经湖”边居住着一户牧民，夏季他们逐水草而居，与牦牛为伴，怡然自得，日子过的平淡却也惬意。突如其来的降雪阻塞了进山的唯一要道，所有的车辆都已无法正常通行。牦牛和人过冬的物资还没储备完毕，若不设法解决，牧民家将蒙受巨大的经济损失。在矛盾之中，他们将会如何解决生活的困境？ 　　In Yushu, the vast hinterland of the Qinghai Tibet Plateau, and by the Tibetan Holy Land "Nianjing Lake", there is a herdsman. In summer, they live by water and grass, with yaks as companions. They live a simple but comfortable life. The sudden snowfall blocked the only way into the mountain, and all the vehicles were unable to pass normally. Yak and human winter supplies have not been fully reserved, if not solved, herdsmen will suffer huge economic losses. In the contradiction, how will they solve the dilemma of life?

姜颂作为穿越小说的女主前身，本应大火中被替，却因求生欲导致剧情巨变二女共存。未婚夫被攻略，靠自己养活的母亲和弟弟也被利诱摇摆，是要让位甘愿被抹杀？还是奋起反抗？被除名未遂的炮灰角色，步步为营终改命逆袭。

根据Valentina Oseeva“丁卡”的故事改编。这是一个沙俄革命家的女儿和一个男工人的友谊故事。这些事件发生在1910年。

《群芳頌》是一個有關新一代女性的故事。 本劇將嘗試用清新、艷麗和不落俗套的創作及拍攝手法，描繪出一幅幅香港女性的風情畫，呈現在觀眾的面前。 故事中五位女主角都是一樣的年青、美麗、充滿愛心和觸角敏銳的女性。她們雖然來自不同的階層，社會背景，和各有不同的性格，觀眾可以透過她們所遭遇的人生路上各種戲劇性的際遇，看到她們嘗透人生百態，愛與恨，喜與樂等，從而體會到現代女性美麗、光輝、積極的一面。

We owe this year’s trailer to one of the great contemporary women filmmakers, Alice Rohrwacher. Shot on 16 mm film, it plays with the mystery of creation and the magic of light and shadow from which cinema is born. It’s an invocation to the return to innocence, which is the prerequisite for every new discovery, the driving force behind the eternal cycle of life. An excerpt from Pablo Neruda’s poem “Oda a la manzana” (“Ode to the Apple”), performed by the author himself, at the same time praises the film, the precious moment of a rediscovery and a new creation: 　　Cuando mordemos 　　tu redonda inocencia 　　volvemos 　　por un instante 　　a ser 　　también recién creadas criaturas 　　aún tenemos algo de manzana. 　　“When we bite in to your round innocence we too regress for a moment to the state of the newborn: there is still some apple in us all.”