戌井朔之助接受藩内命令，要暗杀佐久间森卫，然而佐久间同时是自己的妹夫，这让朔之助非常苦恼。妹妹田鹤学过剑道，也许行动时，会不得不挥刀相向。殊不…

某座小镇上有一间小酒馆“小夜子”。这一晚，伴随着酒馆的灯光，常客们又聚集在这里。他们中有疲惫的人、寂寞的人、买醉的人…… 　　虽说不上是人气酒馆，但这家质朴的小夜子酒馆营造出的氛围，让来客得以享受怀旧而又治愈人心的美好时光。老板娘真奈美是一名单身妈妈，为了抚养女儿小夜子才开了这家“小夜子酒馆”。

两人野营的时候，班长山根联络说发现了被刺杀的尸体，让他们回去。在野营场遇到的女性突然失踪，也有“神隐”的传闻。虽然凹凸不平但其实默契十足的“大小组合”大川和小川发现了这两个事件的意外联系，为了查明事件的真相而四处奔走。

本作は、元刑事で今は働き方改革を啓発する警務課職員・大川勇治と、刑事課の体育会系な雰囲気になじめない若手刑事・小川満を主人公とする物語。IT企業社長の不審死をめぐって捜査に行き詰まった小川が、かつて優秀な刑事だったという大川を一方的に頼ったことをきっかけに、凸凹な2人がコンビで事件の真相に迫っていく。

两人野营的时候，班长山根联络说发现了被刺杀的尸体，让他们回去。在野营场遇到的女性突然失踪，也有“神隐”的传闻。虽然凹凸不平但其实默契十足的“大小组合”大川和小川发现了这两个事件的意外联系，为了查明事件的真相而四处奔走。

The president of an IT company is found dead. The cause of death is believed to be an overdose of medication for a chronic illness, but the possibility of murder emerges since potassium and other substances were found in the body. Ogawa, unfamiliar with the investigation, asks for help from Okawa, a former detective who now works for the police department. The "large-and-small duo", who are uneven in appearance and personality, take on the challenge of getting to the bottom of a difficult case.

In 1981 film director Nagisa Oshima - the 'New Wave' Japanese director best known in this country for films such as Cruel Story of Youth (1960), In the Realm of the Senses (1976), and Merry Christmas, Mr. Lawrence (1983) - traveled to the Yamagata countryside to visit the documentary filmmaking collective led by Shinsuke Ogawa (1935-1992), who was then in the midst of filming A Japanese Village - Furuyashikimura, a feature-length documentary chronicling the seasonal cycle of rice growing. 　　Ogawa, who produced Summer in Narita (1968), Peasants of the Second Fortress (1971), and Red Persimmons (2004), gives Oshima a brief tour of their rural location, including the rice fields they are cultivating as well as filming, and introductions to local villagers. They then settle down for a wide-ranging conversation about Ogawa Productions' approach to documentary filmmaking - that of self-styled "film nomads" who live and work for extended periods of time in various regions of the country-focusing in particular on their current production, which involves an intimate interaction over a period of several years with local farmers, weather conditions, the environment, and aspects of village life. 　　A VISIT TO OGAWA PRODUCTIONS thus offers a rare insight into the social and cinematic philosophy of one of Japan's best-known documentary film collectives. As the film reveals, Ogawa Productions' in-depth portraits of Japanese society - whether of protest movements or traditional agricultural life - grew out of an unusual commitment to integrate themselves with the communities they filmed, to the extent that their filmmaking literally became an alternative lifestyle.

Martin Luther is born into a world dominated by the Catholic Church. For the keenly spiritual Luther, the Church's promise of salvation is irresistible. Caught in a thunderstorm and terrified by the possibility of imminent death, he vows to become a monk. But after entering the monastery, Luther becomes increasingly doubtful that the Church can actually offer him salvation. His views crystallize further when he travels to Rome and finds the capital of Catholicism swamped in corruption. Wracked by despair, Luther finds release in the pages of the Bible, discovering that it is not the Church, but his own individual faith that will guarantee his salvation. With this revelation, he turns on the Church. He attacks its practice of selling Indulgences in his famous 95 Theses, putting himself on an irreversible path to conflict with the most powerful institution of the day. The Catholic Church uses all of its might to try to silence Luther, including accusations of heresy and excommunication. Protected by his local ruler, Frederick the Wise, Luther continues to write radical critiques of the Church. In the process, he develops a new system of faith that places the freedom of the individual believer above the rituals of the Church. Aided by the newly invented printing press, his ideas spread rapidly. He is called before the German imperial parliament in the city of Worms and told he must recant. Risking torture and execution, Luther refuses, proclaiming his inalienable right to believe what he wishes. His stand becomes a legend that inspires revolution across Europe, overturning the thousand-year old hegemony of the Church. But as the reformation expands into a movement for social freedom, Luther finds himself overwhelmed by the pace of change, and is left vainly protesting that his followers should be concerning themselves with God. 　　- Written by Anonymous

The Bolshevik revolution, the cold war, and the collapse of the Soviet Union defined the history of the twentieth century. With such a past, what does it mean to be Russian today? Robin Hessman's lovingly crafted documentary, My Perestroika, adopts the idea of the “everyman story,” suggesting that the unheralded lives of the last generation of Soviets to grow up behind the iron curtain hold the key to understanding the contradictions of modern Russia from the inside out. 　　Crafted during five years of researching and shooting, and based on almost a decade of living in Russia in the 1990s, Hessman's film poetically interweaves an extraordinary trove of home movies, Soviet propaganda films, and intimate access to five schoolmates whose linked, but very different, histories offer a moving portrait of newly middle-class Russians living lives they could never have imagined when they were growing up.

在1563年特伦托会议（Council of Trent）的最后一次会议上，梵蒂冈神学家们坚决支持使用神圣图像和圣像，以对抗宗教改革对偶像崇拜的指控，这导致欧洲对美术的投资激增，包括首次囊括了女性艺术家。索福尼斯巴·安圭索拉（Sofonisba Anguissola）是第一位职业女性宫廷画家，她创作了大量描绘欧洲最杰出的贵族和政要的作品。但在她的整个职业生涯中，她一次又一次地回到最让她着迷的主题：她自己。《反宗教改革》是一部非传统的论文式纪录片，它厘清了政治、宗教、历史和自画像的线索，引导电影人审视她个人的当代电影实践。《反宗教改革》是对信仰和动态影像的一次深刻的个人化中介，试图将实验电影置于神学和宗教领域；这是一次尚未得到充分探索但亟待取得成果的和解。