在神秘的大自然中，万物遵循着看不见的规则，一刻不停地生长变化着。从细小的原始细菌，到结构复杂的大型生物，皆是如此。每种生物由生到死，都会经历一系列的事件、度过各种各样的难关。出生后，要争夺存活长大的权利；成年后，为了繁育后代、将自己的基因流传下去，还要不断成长，建设家园。既有习惯独居、仅在重大时刻才聚集成群的动物，也有习惯于群体生活的社会性动物。在生存的挣扎中，适者生存的画面时刻上演着……

In a futuristic world, the "Nanorace," people whose genes contain nanomachines that grant them special abilities, are controlled and suffer prejudice from the "Purerace" of normal human beings. Beck, a legendary hunter with the power of "Red Ash," aims to undergo the surgical procedure to become Purerace. Alongside the large yet timid mechanic Tyger, they use their parallel machine to fly to the old world, doing dangerous jobs. One day, they suddenly run into Call, a girl pursued by the duo of Safari and Stripe. Call, Beck, and Tyger together travel to the clockwork world. But Safari, Stripe, and their leader Deny, stubbornly pursue Call, and are finally in a position to make their attack on Beck and his friends.

暂无剧情简介

暂无剧情简介

「離開，可以是積極的探索。」2003年，17歲的中四女生陶嘉韜－蕃茄，經歷了一次生命中的巨大轉變。短短時間，蕃茄面臨父母離異、家道中落、寄人籬下，甚至從國際學校轉到傳統的英青中學。但蕃茄的內心總抱持一個嚮往：離開家裡、離開香港，逃離到幻想中的美麗異地。後來蕃茄遇上了在新學校的少年犯－小青…為了實現夢想，蕃茄和小青加入了一個業餘劇團，並排練一齣主題圍繞「去留」的舞台劇。然而，排練得如火如荼之時SARS爆發…「離開，亦可以是消極的逃避。」17年後，新冠肺炎肆虐，蕃茄因收到父親在港染上肺炎的消息而急忙回港。無獨有偶，孤獨的蕃茄和小青收到導演歐陽柊的聯繫。導演希望在疫情之中重演當年的那胎死腹中的舞台劇，完成2003年那個舞台上的夢。「人生是一個圓，到了某個時間點，就會像週期般循環。」兩場疫情之間，就有如人生好運與厄運的週期交替。人生跑道上的人來了又去，但總能找到步伐一致，願意同行的夥伴。

一对独自生活的母女京玉和珠妍，不知从何时开始月经停止的两人互相隐瞒事实做了怀孕测试，并将测试结果告诉了各自的恋人。

移动电话，通常称为手机，日本及港台地区通常称为手提电话、手电、携带电话，早期又有大哥大的俗称，是可以在较广范围内使用的便携式电话终端。 　　手机方便了生活，也带来了麻烦。本片访谈的一些用户讲述了手机给生活带来的各种影响和故事。 　　The Life and Death of a Mobile Phone 　　Through the life cycle of one mobile phone, this documentary investigates the million and one ways in which the mobile has made itself indispensable to modern life. 　　One in every two human beings has a mobile, and this inanimate lump of plastic and minerals is made privy to people's innermost secrets - conversations with friends, lovers and family. It holds family photos, plays favourite music and yet, as an instrument of communication, it has its paradoxes. People are dumped by text, some pretend to be deep in a telephone conversation to avoid speaking to real people and others are affronted when their bellowed conversations on public transport are overheard. 　　Then, at the end of a strangely intimate relationship, it becomes one of the one billion phones discarded every year - reconditioned for re-use or smelted down for the precious metals it contains.

In the space of 10 minutes, the African baobab tree grows 0.008 mm, the fastest dog in the world, the Greyhound, can run 12 km, and the Earth travels 18,000 km around the Sun. MOVEMENTS is a 10-minute animated film which I drew at a rate of 2 seconds of animation per day. We are all walking, seeing, working, running, and stopping together.

Working mainly during the 1920s, Vertov promoted the concept of kino-pravda, or film-truth, through his newsreel series. His driving vision was to capture fragments of actuality which, when organized together, showed a deeper truth which could not be seen with the naked eye. In the "Kino-Pravda" series, Vertov focused on everyday experiences, eschewing bourgeois concerns and filming marketplaces, bars, and schools instead, sometimes with a hidden camera, without asking permission first.

A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.