In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

In Umbracle, an aleatory horror film that paints a critical image of Francoist Spain, Portabella continues his exploration of the language of experimental cinema and develops his aesthetic of combining documentary with reenactment. He worked with Christopher Lee to produce an "ideal and predetermined cliché[d]" image of an actor: "Lee offered to perform my ideas with pleasure. I even managed to get him to do the hardest thing an actor can do: nothing." 　　Low-budget horror-film star Christopher Lee makes a second appearance as the iconic centerpiece of a Portabella film (CUADECUC--VAMPIR was his first), this time as an imposing but ghostly figure wandering the streets of Barcelona. Through film clips that evoke Chaplin and other silent-era comedians, Dadaist poetry, and mysterious melodrama, Portabella makes a bid for unfettered artistic freedom calculated to scramble the brains of Franco-regime censors. 　　Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Bunuel's Viridiana (1961), which he helped to make, "embarrassed" Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. MoMA first screened a Portabella work—Vampir Cuadecuc (1970)—on January 27 and 28, 1972, in its Cineprobe program. After a thirty-five year absence, the Department of Film is honored to welcome Portabella back to introduce the New York premiere of his recently completed The Silence before Bach (2007). Roundtable discussions will also be held at New York University, September 27–28. All films directed by Portabella. 　　http://www.chicagoreader.com/features/stories/moviereviews/061110/

距离「Ring」事件已经过去3个月。 　　高野舞（矢田亚希子）终于开始过正常的生活，但突然收到一封神秘的信。 　　信中写着「山村贞子正在试图复活」，令舞陷入前所未有的恐怖预兆中。 　　这标志着即将发生的恐怖的开端... 　　与此同时，高中教师安藤满男（岸谷五朗）面临着奇怪的事件。 　　在一座办公楼里，6人同时心脏麻痹死亡，发生了令人费解的事件，而前学生西岛美咲（野村佑香）被指控犯有这起谋杀案。 　　为了解开这起事件，安藤与在科学研究所工作的相原夏美（吉本多香美）一起展开行动，但事件却朝着无法想象的方向发展，谜团只是加深。 　　夏美也被卷入了科学无法解释的种种事件中。 　　安藤开始怀疑，这次的事件是否与曾经发生的名为「Ring」的可怕事件有关。 　　与此同时，美咲的身体开始发生异变... 　　「Ring」的恐怖似乎还没有结束...

这部制作于1926年的黑白抽象动画短片，不仅摒弃台词对白，甚至连丝毫背景音乐也没有。在足足六分钟的沉默中，你将会坠入一个不断旋转变化着的奇幻螺旋世界。朝着相反方向旋转的同心环，仿佛一朵朵慢慢盛开的玫瑰。一幅幅或粗犷或柔和的抽象几何图形，在缓慢移动变化着的黑白线条下，构筑起了一个炫目的异次元世界。 　　早在1920年代，这种实验色彩极高的抽象影片，带给众人耳目一新的新鲜体验。德国导演奥斯卡·费钦格，为了将这种动态的抽象几何图形达到可视化的戏剧效果，自制了一部切蜡机，并发明了“蜡片机”技术。本部作品就是他在1922—1926年间制作的大量抽象动画片之一。

A stranger who turns up at a resort hotel in midwinter, behaves rudely towards other guests and disappears the next day. Found half-frozen in the snow he is taken to hospital where his story is gradually revealed.

1977年，在十年动乱中被下放到农场的导弹设计工程师张蕾重新回到了她的岗位上，她决心尽快使“神箭5”导弹早日投入使用。试飞大队张梁大鹏与张蕾是十年前的情侣，两人因误会而分开。梁大鹏决心努力配合张蕾，全力以赴搞好“神箭5”的试飞。试飞开始了，导弹提前爆炸，飞机进入螺旋，发射失败了。梁大鹏提出了超低空飞行的方案，再次试飞，此时张蕾也发现了十年前她是误会了梁大鹏。试飞成功了，梁大鹏把飞机迫降在草丛中，迎接他们的是胜利和美好的明天。 　　影片热情地赞颂了日夜奋战在航空科研岗位上的试飞员、科研技术员们为研制新型导弹呕心听血、勇于献身的高贵品质。该片导演是白夫今,摄影由白夫今和王建国担任,美工是崔登高,录音是宋天沛,作曲为李伟才.沈阳军区歌剧团周利平和兰州军区话剧团赵秀玲分别担任男女主角梁大鹏和效蕾;孙继堂、李新、高玉君、袁该、赵汝平、顾岚、李健、曹翠芳分别饰演高尔明、冯烈、王蓉、石嫂、石部长、陈主任、梁母、杨玲。

本片故事围绕一个男人和两个女人的复杂关系展开。

东方大学医学部附属医院聘请了心脏外科的权威——桐生医生，建立起专门施行巴提斯塔手术这一心脏移植的替代治疗的团队——“巴提斯塔团队”，并大获成功，赢得了“巴提斯塔团队的奇迹”的美誉。然而，曾创下100%成功率的巴提斯塔团队却连续遭遇了3起离奇的手术中死亡事件。因此，为了解开谜团，院长高阶指派神经内科学教室的负责人蒋政进行内部调查，却发现...