Based on one of the most important and popular works of Portuguese literature, Doomed Love was recently revealed to North American audiences as one of de Oliveira’s greatest works. Closely following Camilo Castelo Branco’s eponymous novel from 1862, de Oliveira creates a radical and unprecedented fusion of theatre, literature and cinema, which, according to Jonathan Rosenbaum, is rivaled only by von Stroheim’s Greed. In this doleful tale of forbidden passion, the doomed love of the title belongs to Teresa Albuquerque and Simão Botelho, whose feuding aristocratic families pave the way for a deadly ménage- à-trois when another woman steps in to take Teresa’s place. De Oliveira credits Straub-Huillet’s Chronicle of Anna Magdalena Bach as one of the major influences on the film, which is told through a bold series of tableaux vivants. Like the other works in his “Tetralogy,” Doomed Love makes great use of omniscient narration and a host of distancing effects (static camera, lack of close-ups), “paring things down to the unspectacular, so that when something dramatic does flare up . . . the result is tremendous” (Elliott Stein). The film was originally shot on 16mm and made for Portuguese TV where it unsurprisingly floundered and was subjected to scorn. But its mythic status grew and when a 35mm blow-up was theatrically released some time later, this film maudit was hailed as a European masterpiece, ensuring that de Oliveira was “recognized as one of the great modern filmmakers” (Randal Johnson). No cinephile can afford to miss this date with Doomed Love. (Cinematheque Ontario)

Based on one of the most important and popular works of Portuguese literature, Doomed Love was recently revealed to North American audiences as one of de Oliveira’s greatest works. Closely following Camilo Castelo Branco’s eponymous novel from 1862, de Oliveira creates a radical and unprecedented fusion of theatre, literature and cinema, which, according to Jonathan Rosenbaum, is rivaled only by von Stroheim’s Greed. In this doleful tale of forbidden passion, the doomed love of the title belongs to Teresa Albuquerque and Simão Botelho, whose feuding aristocratic families pave the way for a deadly ménage- à-trois when another woman steps in to take Teresa’s place. De Oliveira credits Straub-Huillet’s Chronicle of Anna Magdalena Bach as one of the major influences on the film, which is told through a bold series of tableaux vivants. Like the other works in his “Tetralogy,” Doomed Love makes great use of omniscient narration and a host of distancing effects (static camera, lack of close-ups), “paring things down to the unspectacular, so that when something dramatic does flare up . . . the result is tremendous” (Elliott Stein). The film was originally shot on 16mm and made for Portuguese TV where it unsurprisingly floundered and was subjected to scorn. But its mythic status grew and when a 35mm blow-up was theatrically released some time later, this film maudit was hailed as a European masterpiece, ensuring that de Oliveira was “recognized as one of the great modern filmmakers” (Randal Johnson). No cinephile can afford to miss this date with Doomed Love. (Cinematheque Ontario)

1940年，丹麦。第二次世界大战在整个欧洲蔓延，丹麦虽然在战争开始时宣称自己是中立国，但在这一年被希特勒的第三帝国占领。因此，斯科夫家族的成员之间产生了矛盾，尤其是卡尔和他的儿子阿克塞尔之间。卡尔是一家大型电子工厂的拥有者，他努力在工厂继续生产，但是为了保护家人和员工，不得不开始为德国市场制造产品。与此同时，阿克塞尔通过加入反抗运动来抵制法西斯的迫害。卡尔与侵略者之间有争议的合作最终导致了他的家庭破裂。

1940年，丹麦。第二次世界大战在整个欧洲蔓延，丹麦虽然在战争开始时宣称自己是中立国，但在这一年被希特勒的第三帝国占领。因此，斯科夫家族的成员之间产生了矛盾，尤其是卡尔和他的儿子阿克塞尔之间。卡尔是一家大型电子工厂的拥有者，他努力在工厂继续生产，但是为了保护家人和员工，不得不开始为德国市场制造产品。与此同时，阿克塞尔通过加入反抗运动来抵制法西斯的迫害。卡尔与侵略者之间有争议的合作最终导致了他的家庭破裂。

该剧通过某市付市长的儿子钟小龙，经不起敌特机关女间谍穆倩云的金钱与美色的诱惑、走上盗窃党和国家秘密的罪恶之路，导致一个美满幸福家庭破裂的沉痛教训，展现了一幅新形势下和平演变与反和平演变，颠覆与反颠覆、窃密与反窃密的惊心动魄的斗争。故事生动，情节曲折、感染力强，在艺术上较之以前的保密教育片有所突破，看后发人深思，催人泪下

该剧通过某市付市长的儿子钟小龙，经不起敌特机关女间谍穆倩云的金钱与美色的诱惑、走上盗窃党和国家秘密的罪恶之路，导致一个美满幸福家庭破裂的沉痛教训，展现了一幅新形势下和平演变与反和平演变，颠覆与反颠覆、窃密与反窃密的惊心动魄的斗争。故事生动，情节曲折、感染力强，在艺术上较之以前的保密教育片有所突破，看后发人深思，催人泪下

郑瑾一自幼被郑郭州囚禁，成为他精心培养的“完美作品”。九年后再见初 　　恋褚野，她以自己为饵，步步为营展开复仇。褚野身为京圈太子爷，明知 　　是局却甘愿沉沦，一次次救她于危难。郑瑾一在自由与爱之间挣扎，生命 　　进入倒计时。城南的花开了，她却选择走向终结。褚野在最后时刻紧紧相 　　这次，我不会再让你一个人离开。”

郑瑾一自幼被郑郭州囚禁，成为他精心培养的“完美作品”。九年后再见初 　　恋褚野，她以自己为饵，步步为营展开复仇。褚野身为京圈太子爷，明知 　　是局却甘愿沉沦，一次次救她于危难。郑瑾一在自由与爱之间挣扎，生命 　　进入倒计时。城南的花开了，她却选择走向终结。褚野在最后时刻紧紧相 　　这次，我不会再让你一个人离开。”

持田哲志和好朋友们因为准备文化祭而留在学校，他们七人玩起了讲鬼故事的游戏，不久老师带着哲志的妹妹来了，催他们回家。临走前，喜欢鬼故事的班长提议他们用咒符玩“幸福的幸子”，来祈祷他们七人友谊永存，永远在一起。然而当他们举行完仪式，奇怪的事情发生了，教室突然猛烈摇晃起来，一阵巨响后地面轰然坍塌，所有人都掉了进去。　　等他们醒来后，发现自己身处一个古旧的小学校舍里，这所废弃学校门窗紧闭，恐怖诡异。直美发现了昏迷的世以子，二人随后一起行动，企图离开这个可怕的校舍。但是更可怕的事情在后面等着她们，受害者一个个地出现。在这所名为“天神小学”的古老学校里，究竟是谁操控着这一切……

六年前，怀孕的李若男（蔡亘宴 饰）、陈立东（林敬伦 饰）和陈振原（温庆禹 饰）秉着破除迷信的态度进入了陈家村，据说那里供奉着不可冒犯的神明。陈立东和陈振原因为传入了祭坛所在的禁地而招致了灭顶之灾，李若男虽然逃过一死，精神却受到了极大的冲击。 　　此事过后，李若男生下了一个女儿，因为怕触犯禁忌，李若男将女儿寄养在孤儿院中。之后，李若男一直接受着心理治疗，一晃眼就是六年过去。当李若男觉得一切都已经平息之后，她将女儿陈乐瞳（黄歆庭 饰）接回了自己身边，哪知道女儿刚到家没多久，家中便屡屡出现可怕的异像，年幼的陈乐瞳似乎和曾经陈家村所供奉的神明有着千丝万缕的联系。