虎杖悠仁是一位体育万能的高中生，某天捡到了一个被布条所包裹的手指，并将其交予其研究灵异事件的社团中的学姐，学姐解开封印，意外导致其他咒灵吸引过来，攻击学姐与另外一名社团成员。他为了从“咒物”危机中解救学姐，而吞下了被诅咒的手指“两面宿傩之指”，让“宿傩”这种诅咒跟自己合二为一。 咒术师高层企图直接杀死虎杖悠仁，在最强咒术师五条悟劝解下，让其吃下20根“两面宿傩之指”后死亡。在五条悟的指引下，进入对诅咒专门机关“东京都立咒术高等专门学校”，并遇到了伏黑惠与钉崎野蔷薇这两位同学……

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

五条悟的徒弟乙骨忧太被特级怨灵祈本里香附身后失控，正当乙骨忧太差点要被秘密处刑时，五条悟出现在忧太面前，要他转学到咒术高专就读，成为咒术师……

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。

在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们还能成为彼此眼中最好的那个人吗？

霍家养女霍司念为救孤儿院被迫联姻顾氏家族私生子顾北琛，却误上其侄子顾九辞的车发生纠葛。顾九辞认出她是童年初恋，强势追爱，霍司念因孤儿院左右为难。最终霍司念与顾九辞相认，揭穿顾北琛罪行，有情人终成眷属。

霍家养女霍司念为救孤儿院被迫联姻顾氏家族私生子顾北琛，却误上其侄子顾九辞的车发生纠葛。顾九辞认出她是童年初恋，强势追爱，霍司念因孤儿院左右为难。最终霍司念与顾九辞相认，揭穿顾北琛罪行，有情人终成眷属。