Anniversaires 　　Série de courts métrages sur le thème de l'anniversaire dont Éric Rohmer a initié la production et dont il a confié la réalisation à quelques-unes de ses comédiennes et techniciennes complices. 　　Des goûts et des couleurs 　　Anne-Sophie Rouvillois 　　France / 1996 / 21 min / Numérique 　　Avec Laure Marsac, Eric Vieillard. 　　RÉTROSPECTIVE ÉRIC ROHMER 　　JEUDI 31 JANVIER 2019, 14H30 　　SALLE GEORGES FRANJU

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70s. When Daredjane dies, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor.

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70s. When Daredjane dies, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor.

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". 　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. 　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

Young Natalie tries to help her mysteriously ill best friend.

艾拉·韦伯似乎既拥有一切，又一无所有。她在总部位于圣地亚哥的美国连锁餐厅 Bistro Bon Vivant 担任菜谱开发人员，工作不错。然而，他们提供的是“假”法国菜，这违背了她真正喜欢美食的感受。她有一位慈爱的母亲，房地产经纪人劳里·韦伯，她总是试图让她过上稳定的生活，对劳里来说，这意味着艾拉要再次购买公寓，这违背了艾拉的感受。在经历了几次挫折后，艾拉感到心神不宁，她决定立即休假，重新振作起来，这有点让人回想起她 22 岁时最喜欢的假期记忆：去巴黎吃她最喜欢的奶酪。这次在巴黎，她发现奶酪同样具有变革性，尤其是与餐厅供应的塑料奶酪相比，而不是与脾气暴躁的奶酪贩子相比。但她在克洛蒂尔德·奥伯格尔身上找到了志趣相投的人，克洛蒂尔德从她那里租了一套公寓，供她住两周。克洛蒂尔德说服她，要想找到自我，她应该在巴黎呆三个月。克洛蒂尔德英俊的表弟、餐厅评论家加斯顿·奥伯格尔向她表达了浪漫的兴趣，这让她更容易做出这个决定。尽管艾拉知道她在巴黎的逗留即将结束，而且加斯顿自认有点花心，但他们还是开始了一段恋情。这次延期让艾拉有机会在奶酪店尝遍三百种奶酪。最终，奶酪贩子给她提供了一份在店里的兼职工作，她认识了奶酪贩子。他是塞尔日·佩勒林，一位前律师，为了找到像艾拉一样具有变革性的好奶酪而进入奶酪行业。随着艾拉时间的流逝，她可能会发现她在生活中寻找什么和谁，而她是否能得到后者，实际上取决于她和这个人是否能克服误会。—哈戈

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