Four centuries before the beginning of our era, Aristofanes wrote the comedy Ornithes . In it, two men leave their birthplace in search of a better life. They arrive in the forest of the birds and meet Hoopoe, the man who has become a bird. 　　This Greek comedy is a reverie, a voyage of discovery, an essay and perhaps also an indictment. The film mixes talking heads with theater, street scenes and beautiful views. The foundation is a desire for freedom but also the obstacles that humanity imposes on itself to find that freedom; walls around a country, social conventions, rules. Children rock to feel the tingling in their belly, that evolutionary reminder of what it was like to whiz through the air. 　　You can go in all directions in the air, says the man who no longer wants to walk but flies. "Gravity is mortality," says another. Meanwhile, two men go looking for bird man Hoopoe. 　　_____________________ 　　A hybrid film, at the edge of documentary, fiction, and political fantasy, by cinematographer Babis Makridis, of “L” (Sundance Film Festival 2012) and “Pity” (Sundance Film Festival 2018, Best Film, Greek Film Academy 2019). 　　The film “The Birds or how to be one” draws its inspiration from the archetypical myth of Aristophanes’s “The Birds,” Nikos Karathanos’s production, and its participants, filming them off stage, in real spaces and natural environments—from lava fields in Iceland to the plateaus of Patagonia, and from Times Square to the Egyptian pyramids. Everything takes place in a universe of fluid “everyday” routine, among theater PEOPLE, ornithologists, and pragmatic recluses who all dream of flying. 　　The film will have its world premiere at the Voices section of the International Film Festival Rotterdam 2020. The section presents "movies driven by powerful stories, captivating subjects and important themes. Each film brings a distinctive view of the world, from filmmakers with a confident voice". The movie was also part of Work in Progress by Les Arc Festival 2019, while in January 2020 it will be presented at Santiago a Mil Festival in Chile, together with the updated edition of "The Birds" performance by Nikos Karathanos.

DW记者跟拍了分属三个阶层的代表人物长达6个月的时间，他们分别是代表新贵的Christoph Gröner的富豪，代表中产阶级的Thomas Clauss和代表贵族阶层的“冯先生”。通过他们的经历，向人们揭示了德国社会不平等的现状和思考。 　　Germany is one of the world’s richest countries, but inequality is on the rise. While the power elite are pulling ahead, the poor are falling behind at an ever more rapid rate. Meanwhile, the middle classes is shrinking at an ever-increasing rate too. Hard work no longer leads to advancement. This trend is being reflected across Europe and North America too. Here, the filmmakers interview leading researchers and experts on the topic, and also shadow members of the super class, including the German real estate mogul, Christoph Gröner, who believes that, “Entrepreneurs are more powerful than politicians, because we’re more independent.” This film takes a close look at the lives and mentality of the ultra rich, and evaluates their own narrow worldview, as well as how they view themselves as fit to rule over the rest of the population.

Ecaterina, a high school Religion teacher and wife of the town priest, gets involved with Iuliu, a 16-year-old student with a troubled past. Ecaterina tries to keep him under control, but she loses her own sense of control in this process.

Four young women are somewhat desperate in their relationships, since their male partners are not the most successful types. But does that mean you have to break up with them? In his fast-paced comedy, Santa YAMAGISHI takes a closer look at romantic clichés and the truths that lie behind them. 　　源自：https://db.nipponconnection.com/en/event/1372/to-the-supreme

Four young women are somewhat desperate in their relationships, since their male partners are not the most successful types. But does that mean you have to break up with them? In his fast-paced comedy, Santa YAMAGISHI takes a closer look at romantic clichés and the truths that lie behind them. 　　源自：https://db.nipponconnection.com/en/event/1372/to-the-supreme

法蒂玛是一个出生在多伦多的现代穆斯林女孩，成长在一个文化混杂、信息混杂的家庭，她在这个世界上扮演着怎样的角色。她被吸进了一个性感的滑稽歌舞表演的赋权世界，并释放了她的勇敢和自信的滑稽身份，“巴比伦”。然后她必须使旧的自己和新的自己和睦相处。

在科瑞妮（维拉·法米加 Vera Farmiga 饰）还小的时候，对周遭的一切充满了好奇，遭遇许多成长的困惑，并且接触了宗教。刚刚成年的她很快遇上爱情，并且匆匆忙忙怀了孕，懵懵懂懂进入婚姻，和一位摇滚乐手成婚，成了一个家庭主妇，也放弃了写作梦想和宗教信仰。婚后的生活并不似科瑞妮期待一样好过，她甚至还得带着嗷嗷待哺的小孩跟着丈夫和一帮音乐朋友参加巡演，经常感到被忽略的失落。巡演途中，一场车祸发生了，一家三口费尽周折幸免于难，令科瑞妮再度产生信教的倾向。开始的一切似乎很快乐，但是经历教义约束、好友脑癌、外遇萌芽，科瑞妮的信仰始终在动摇…… 　　影片据卡洛琳·布里格斯的自传体小说《黑暗世界》改编。

(这是一部根据二战时期在捷克斯洛伐克发生的真实故事改编的电影。) 　　1942年6月，在德国占领区的捷克斯洛伐克，一名党卫军的高级将领兼警察总监被刺杀。城市因此宵禁，市民不得外出，一切娱乐活动被禁，违者就会被枪毙。党卫军悬赏重金捉拿刺客，市集也被取缔，扩音喇叭里每天播放被枪毙者的名单，荷枪实弹的党卫军布满街头，一片肃杀。古典中学毕业班的同学因一张毕业照无端被牵连。随着事情的发展，该毕业班的维尔卡等三人最后被无辜杀害。在整个事件中，被学生戏称为“更高原则”的马列克教授始终伸张正义，不为恐怖所吓倒，感染了同学们。本片揭露了德国法西斯凶残的本性，批判了捷克斯洛伐克人中的软弱者，歌颂了正义的教师和学生。

讲述一个女人雇用一个长相和姐姐相似的人以掩盖姐姐的死亡，并要求后者共同继承遗产，她的欺骗行为暴露了一个危险的秘密。

根据中国作家杨争光的小说《老旦是一棵树》改编。导演是南斯拉夫人，故事则被移植到了爱尔兰，颇为有趣的国际化制作。