What does a day in the life of the most famous painter alive look like? Is it a battleground of colour, a symphony of rebellion, a spectacle of squeegeeing? And what roles do the Sparkasse Bank and mysterious Anselm play in all of that? In his hilarious spoof documentary on the art world, Ulu Braun walks away from his trademark ‘video paintings’ and steps into a full blown AI universe.

哈德良(Publius Aelius Traianus Hadrianus)，一个来自西班牙的罗马皇帝。他统治罗马帝国二十载，名列五贤帝之一，号称“勇帝”，不但开疆拓土，而且多才多艺、言谈可喜，是历代罗马皇帝中最有修养和学问的人。 　　他也修筑了著名的哈德良长城！在英国的不列颠岛上，有一条有名的古长城遗迹，这就是哈德良长城（Hadrians Wall）。是罗马帝国在占领不列颠时修建的，从建成后到弃守，它一直是罗马帝国的西北边界。哈德良长城包括城墙、瞭望塔、里堡和城堡等，完整地代表了罗马帝国时代的戍边系统。 　　本片就主要讲述了哈德良皇帝和哈德良长城之间的故事~ from夏末秋

心地善良的孤儿辛哈德里被拉姆收养，像是一对父子。拉姆的小孙女卡丝图丽很喜欢辛哈德里，但似乎辛哈德里更喜欢那个叫做茵杜的智障姑娘，辛哈德里拒绝了养父的指腹为婚，和茵杜离开了...然拉姆不知道的是茵杜也是她孙女...

哈德维希是一名见习修女，她的宗教信仰狂热而且盲目，这使她即便在修道院也显得格格不入，最终她被逐出修道院，只能重回原来的世俗生活，她又回到了过去的身份——一个外交官的女人，一位优雅时尚的巴黎少女，但是她对上帝的狂热依然没有消褪，信仰与世俗间的种种冲突使她日益走入绝路

An adaption of his one-man off-Broadway show of the same name, Chris Gethard: Career Suicide is a comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places.

侦探查理·哈德森（Charlie Hudson）与一只他称之为“训练有素的执法动物”的德国牧羊犬雷克斯（Rex）合作，他更喜欢与这只狗合作，因为它不爱说话。

罗克·哈德森（1925┄1985）是好莱坞五六十年代的电影明星，以其粗犷硬朗又不失羞涩的小生形象令广大女性影迷如痴如醉，曾经连年被观众们评为“最具男子汉气概的演员”。他是英俊的代名词，拥有宽阔的肩膀、健美的身材、多情的眼睛和磁性的声音。虽然在银幕上扮演着不折不扣的异性恋男子形象，生活中的哈德森却是个地地道道的同志。1985年被确诊感染艾滋，同年10月2号在加州去世。本片算是罗克·哈德森借由自己主演的30多部影片向世人坦白自己同志身份的真情告白吧。 　　英文简介： 　　Eric Farr speaks to the camera as if speaking Rock Hudson's words from a posthumous diary. Film clips from more than 30 Hudson films illustrate ways in which his sexual orientation played out on screen. First we see tenuous and unresolved relationships with women, then clips of Rock with men, cruising and circling. Next comes pedagogical Eros: Hudson with older men. We see Rock with his sidekicks, often Tony Randall. We look in depth at comedies of sexual embarrassment and innuendo: films in which Hudson sometimes plays two characters, "macho Rock and homo Rock." He's masculine yet vulnerable, a hunk who needs taking care of. Last come cinematic reflections on death.