一名影视院校的毕业生，找不到工作决定回到县城做网红。

警校学生殷浩 （ 张一山 饰）和自己的女朋友，电影编导系学生小暖 （ 丁丁 饰）为完成小暖的毕业作品登上了隔离岛拍摄纪录片。殷浩在拍摄纪录片之外，还有自己的小心思，他希望与小暖在岛上进一步巩固恋人关系。二人在岛上偶遇了大商人丁子楚 （ 张涵 饰），丁子楚为寻找失踪的女儿娜娜来到岛上却意外丧命，三十年前的大火，让众人都卷入了一场漩涡之中。殷浩发挥警校学生的特长探案追凶，而小暖拍摄的纪录片也成为了殷浩搜寻真相的重要证据。命案在岛上接连发生，小暖也陷入危机，殷浩探明真相后为爱勇闯险境成功救出小暖，二人感情升温的同时，也交出了真正的毕业作品，完成了一次成长的蜕变。

警校学生殷浩 （ 张一山 饰）和自己的女朋友，电影编导系学生小暖 （ 丁丁 饰）为完成小暖的毕业作品登上了隔离岛拍摄纪录片。殷浩在拍摄纪录片之外，还有自己的小心思，他希望与小暖在岛上进一步巩固恋人关系。二人在岛上偶遇了大商人丁子楚 （ 张涵 饰），丁子楚为寻找失踪的女儿娜娜来到岛上却意外丧命，三十年前的大火，让众人都卷入了一场漩涡之中。殷浩发挥警校学生的特长探案追凶，而小暖拍摄的纪录片也成为了殷浩搜寻真相的重要证据。命案在岛上接连发生，小暖也陷入危机，殷浩探明真相后为爱勇闯险境成功救出小暖，二人感情升温的同时，也交出了真正的毕业作品，完成了一次成长的蜕变。

Against a dark background, several bright, curved or rounded shapes pulse towards the center of the screen, one at a time. They are followed by many other shapes, some irregular, some pointed, others rounded. The abstract shapes move into or across the screen in harmony with the musical score.

One of those courageously provoking and smashing films that make you breathless, restless and uncomfortable. This unique, wise and rough blend of cinema, theatre, musical and comedy will radically divide spectators and critics for their differing opinions. A political, cruel and original film spiced with dark humour, which makes an urgently needed and impactful statement against injustice, prejudice, discrimination and racism against the Roma people, the biggest European minority. 　　Everything you see is part of the play “Gypsy Hungarian” performed at Deutsches Theater Berlin. An all-Roma creative team worked together for six years, backed by the Open Society Foundation, to educate marginalised Roma youth through performance art training. The leading characters never hide their true names as they talk, shout, joke, lie, debate, or doubt directly to our faces without a fourth wall. Gypsy boys and girls interpret, sing, dance, satirise their own painful life stories, recurring traumas or unfortunately real experiences with scars on their hands. 　　Musician and traffic warden Edmond rushes to clear his name, although he never had sex with his sisters. Drug dealer Mario is a wannabe poet. Professional dancer Romeo is laughed at by the audience and suffers domestic violence. The first Gypsy palaeontologist Cristopher tries to become temporarily rich through brutality. Szintia encounters a shady guy who threatens to sell her to Romania as a whore. They are demoralised, exploited, ridiculed, criminalised and disgusting, but they are also people like us. This film is not seeking the audience’s compassion. 　　The camera moves, spins, rides, slides, turns, lurks, and pans down with intentions to fool us that it may be a one long continuous shot with a fruitful and unparalleled supporting cameo role by former Berlin’s Panorama Big Boss Wieland Speck and a real Gypsy house, magnificently delivered to the stage in 3,000 numbered pieces, full of smoke and filth. 　　Ádám Császi received an unofficial five-year ban on filmmaking for his debut “Land of Storms” in Panorama at Berlinale 2014 (probably the first Hungarian gay coming-out film ever made). He continues to bravely oppose the systemic authoritarian Orbán-regime, which may possibly bring him another punishment.