Hafez爱上了他老师的女儿Nabat，但，这是一段被禁止的恋情。于是，他们两个人被分开了。他们会相逢么……伊朗著名导演Abolfazl Jalili的最新作品，向大家展现伊朗版的“罗密欧与茱丽叶”。

还记得2017年上海国际电影节一票难求的《佛罗伦萨与乌菲兹美术馆》吗？这部德国出品的纪录片聚焦的依然是意大利著名的乌菲兹美术馆，但却另辟蹊径，从乌菲兹美术馆史上首位非意大利主管、德国艺术史学家艾克·施密特的角度出发，带领观众了解美术馆幕后运作的繁杂琐事，以及工作人员为呈现最好的展览效果而默默付出的心力，更通过高清摄影机的拍摄，为观众打开平日紧锁的VIP大门，带你看到日常参观中绝对看不着的珍藏。

Novelist Jay McInerney explores the life and writing of F Scott Fitzgerald, whose masterwork The Great Gatsby has just been filmed for the fifth time. 　　Fitzgerald captured the reckless spirit of New York life in the roaring twenties - the flappers, the parties, the bootleg liquor, the inevitable reckoning, and the hangover to come. In Gatsby, he created a character who reinvented himself for love - just as Fitzgerald would, not once, but twice. Fitzgerald never wrote an autobiography. He left us something better - letters. Romantic, arrogant, humble letters; letters to editors, publishers, lovers, or friends. 　　These letters reveal the inner thoughts of a man whose real life was never far from the fiction he wrote.

Not since Paganini had there been such a magician on the violin. Jascha Heifetz was the first truly modern virtuoso, a man about whom Itzhak Perlman said, 'When I spoke with him, I can't believe, I'm talking to God'. Heifetz was a legendary but mysterious figure whose story embodies the dual nature of artistic genius. The paradox of how a mortal man lives with immortal gifts - gifts he must honor, but which extract a life-long price. Is the man and the artist the same person? What is the price each pays? And who was the man behind the music?

《佛罗伦萨和乌菲兹美术馆》远不止是一部关于经典艺术的纪录片，而是一段以多维度、多媒体视听盛宴的方式，通过剖析当时最美最具代表性的艺术作品，深度探寻意大利文艺复兴的旅程。 　　在世界电影史上，我们首次迎来了一部关于真正的露天美术馆——佛罗伦萨的艺术电影。3D技术为我们带来了前所未有的身临其境的视觉体验：艺术作品通过三维视觉效果得到增强，那无与伦比的美感跃然而出。影片中激励人心、情感充沛的解说来自文艺复兴时期的一位领军人物，我们的导游主持人，伟大的洛伦佐，由西蒙·米瑞尔斯饰演。在永恒的无涯之境，伴随着精心挑选的壮丽的背景音乐，洛伦佐带领我们游览“他的”佛罗伦萨——文艺复兴时期文明的摇篮。