《哈里什昌德拉国王》为印度第一部故事片，取材于印度神话故事。讲述哈里什昌德拉国王经历天神考验证明自己是明君的故事。

请跟随迈克尔·凯恩的新片一起探究英国社会的现状，为那些受害者寻求公正。电影开始于一起发生在光天化日下的暴力枪击事件。几个年轻人因为吸食了毒品，…

Hop Harrigan (William Bakewell) and his pal "Tank" Tinker (Sumner Getchell) operate a small airport and flying service, and are hired by J. Westly Arnold (Emmett Vogan) to fly an eccentric inventor, Dr. Tabor (John Merton), to his secret laboratory where he has a revolutionary new power unit. However, a mysterious character known as the Chief Pilot is interested in the invention and uses a destroying ray to cripple Hop's airplane and kidnap Tabor. Hop and "Tank", aided by Gail Nolan (Jennifer Holt and her younger brother, Jackie (Robert 'Buzz' Henry), finally overcome the villains - and, then, Tabor goes mad and decides to blow up the world. There is still work to be done.

Hop Harrigan (William Bakewell) and his pal "Tank" Tinker (Sumner Getchell) operate a small airport and flying service, and are hired by J. Westly Arnold (Emmett Vogan) to fly an eccentric inventor, Dr. Tabor (John Merton), to his secret laboratory where he has a revolutionary new power unit. However, a mysterious character known as the Chief Pilot is interested in the invention and uses a destroying ray to cripple Hop's airplane and kidnap Tabor. Hop and "Tank", aided by Gail Nolan (Jennifer Holt and her younger brother, Jackie (Robert 'Buzz' Henry), finally overcome the villains - and, then, Tabor goes mad and decides to blow up the world. There is still work to be done.

Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.

For almost 13 centuries, from the death of the Prophet Muhammad in 632 to the overthrow of the last Ottoman caliph in 1924, the Islamic world was ruled by a caliph. 　　Translated from the Arabic ‘Khalifa’, the word ‘caliph’ means successor or deputy. The caliph was considered the successor to the Prophet Muhammad. 　　It is a term that has, at times, been abused. 　　In June 2014, a militant group calling itself the Islamic State in Iraq and the Levant (known as ISIL or ISIS) declared the establishment of a caliphate and proclaimed its leader, Abu Bakr al-Baghdadi, a caliph. This proclamation was rejected by the overwhelming majority of the world’s Muslims. 　　ISIL had attempted to appropriate a title imbued with religious and political significance – and in doing so had cast a dark shadow over a rich history. 　　This is the story of the caliph, a title that originated 1,400 years ago and that spanned one of the greatest empires the world has ever known.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

For almost 13 centuries, from the death of the Prophet Muhammad in 632 to the overthrow of the last Ottoman caliph in 1924, the Islamic world was ruled by a caliph. 　　Translated from the Arabic ‘Khalifa’, the word ‘caliph’ means successor or deputy. The caliph was considered the successor to the Prophet Muhammad. 　　It is a term that has, at times, been abused. 　　In June 2014, a militant group calling itself the Islamic State in Iraq and the Levant (known as ISIL or ISIS) declared the establishment of a caliphate and proclaimed its leader, Abu Bakr al-Baghdadi, a caliph. This proclamation was rejected by the overwhelming majority of the world’s Muslims. 　　ISIL had attempted to appropriate a title imbued with religious and political significance – and in doing so had cast a dark shadow over a rich history. 　　This is the story of the caliph, a title that originated 1,400 years ago and that spanned one of the greatest empires the world has ever known.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

桑托什结婚两年，她的警察丈夫才刚在一场暴动中殉职，她随即就被狠心的婆婆逐出家门。政府让她享有丧偶优惠，得以继承丈夫在警察部队中的职位，成为一名女警。桑托什毫无任何优势，甚至得周旋于一群滥用公权、争功诿过的警察同仁之中… 　　当一名低种姓的年轻女孩遭到谋杀，尸体还被扔进了乡村的井里。奉命着手调查此案的她，必须负责将女孩尸体背到太平间。只因为没有任何同事想被低种姓的人玷污。桑托什的认真负责与正义感，让高级女督察莎玛印象深刻，亦师亦友的两人于是联手办案。同时得面对来自社会深层，包括阶级、性别、信仰、种姓制度等问题，以及警察执法时的各种弊端…