请跟随迈克尔·凯恩的新片一起探究英国社会的现状，为那些受害者寻求公正。电影开始于一起发生在光天化日下的暴力枪击事件。几个年轻人因为吸食了毒品，…

搬到一个偏远的小镇多年后，前警察皮帕在家中发现一具尸体，也因此重返她以为已经远离的黑暗世界

Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

For almost 13 centuries, from the death of the Prophet Muhammad in 632 to the overthrow of the last Ottoman caliph in 1924, the Islamic world was ruled by a caliph. 　　Translated from the Arabic ‘Khalifa’, the word ‘caliph’ means successor or deputy. The caliph was considered the successor to the Prophet Muhammad. 　　It is a term that has, at times, been abused. 　　In June 2014, a militant group calling itself the Islamic State in Iraq and the Levant (known as ISIL or ISIS) declared the establishment of a caliphate and proclaimed its leader, Abu Bakr al-Baghdadi, a caliph. This proclamation was rejected by the overwhelming majority of the world’s Muslims. 　　ISIL had attempted to appropriate a title imbued with religious and political significance – and in doing so had cast a dark shadow over a rich history. 　　This is the story of the caliph, a title that originated 1,400 years ago and that spanned one of the greatest empires the world has ever known.

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

“潮死了——” 　　听闻青梅竹马・小船潮讣告的网代慎平，时隔2年回到了故乡和歌山市・日都岛。 　　家人和朋友再会，葬礼也顺利进行。然而，好友菱形窗却告诉慎平“潮的死存在可疑之处，有他杀的可能性”。 　　第二天又发生了邻居一家突然全部消失的事件。随着时间的推移，慎平又听到了一个不祥的传闻。 　　“看到与自己一样的影子的人会死。会被影子杀死——”并且，潮的妹妹・澪说“姐姐去世前3天看到了影子”…… 　　纪淡海峡上浮现的夏季小岛上，穿越时空的SF悬疑片，现在拉开了帷幕——

《#夏日重现#》是作者田中靖规创作的漫画作品。近日，该漫画宣布完结，同时动画化、真人化和现实逃脱游戏化。青梅竹马的潮死了——。听闻这个悲报，慎…

山姆-布鲁姆（彼特-丁拉基 饰演）是一个建筑模型的建筑师，多年前他在一场事故中幸存了下来，但是他的摇滚歌星弟弟却死于非命。山姆一直很痛苦自己无法想…

聪明的教授的寡妇绊倒了他的一个发明，能够记录和发挥一个人的记忆。