A peace-loving Cossack chooses to prove himself in battle when his village and childhood sweetheart label him a coward.

Issac, a young reclusive mortician who inherited his stepfather's mortuary business, meets a friendly waitress, Cassi. The two create an instant connection and after a night of terror, they pursue a revenge murder together.

18 岁的女孩克洛伊在冬季最寒冷的时节从蒙特利尔出走，一路搭便车来到了魁北克的塔杜萨克，一个风景优美、但由于天气原因而人迹罕至的小村庄。和许多年轻人一样，她在当地一家旅社打工换宿。但克洛伊的行为举止有些古怪。她为什么隐藏身份呢？她一直暗中观察的屋子有什么来历呢？慢慢地，克洛伊的真实动机浮出了水面。一出生就被母亲遗弃的她在暗中寻找着生母。克洛伊正经历着人生中一段痛苦的时期。当她最终找到了生母，她有胆量冒着被再次遗弃的风险告诉母亲真相吗？

German soap opera about the staff of the fictional hospital "Sachsenklinik" in the city of Leipzig.

ISSAC is an intense psychological thriller which constantly treads the lines of reality and fiction. Issac, A young reclusive mortician who inherited his stepfather's mortuary business meets a friendly waitress, Cassi. The two create an instant connection and after a night of terror, they pursue a revenge murder together. This film mixes a realistic story with surreal imagery, showing how one in isolation may operate due to the circumstances he has been given. Issac inevitably makes a choice and never questions the morality of his decisions.

The first of Chantal Akerman's on screen collaborations with cellist Sonia Wieder- Atherton. This short film of Wieder-Atherton playing the title piece by Henri Dutilleux is simple but very well shot. Akerman does a great job of capturing Wieder-Atherton's expressive playing, not just in close-ups, but in wider shots that let us watch the musician's body language as she interacts with the music and her instrument. While not flamboyant, the passion that Wieder-Atherton brings to her playing is exciting to watch, and brings a deeper level of connection to the music.

The first of Chantal Akerman's on screen collaborations with cellist Sonia Wieder- Atherton. This short film of Wieder-Atherton playing the title piece by Henri Dutilleux is simple but very well shot. Akerman does a great job of capturing Wieder-Atherton's expressive playing, not just in close-ups, but in wider shots that let us watch the musician's body language as she interacts with the music and her instrument. While not flamboyant, the passion that Wieder-Atherton brings to her playing is exciting to watch, and brings a deeper level of connection to the music.

Avec les habitants de Pessac. 　　Reportage sur une tradition en voie d'extinction : l'élection d'une rosière dans un petit village de Gironde au début du mois de juin 1968, qui distingue une jeune fille méritante et vertueuse.

Tourné au même endroit, dix ans plus tard. 　　« Je voudrais que les deux films soient montrés ensemble : d'abord celui de 79, ensuite celui de 68. Une façon de dire aux gens : si vous avez envie de savoir comment ça se passait avant, restez, vous allez voir. » (Jean Eustach）