从开皇大业到贞观之治，从开元天宝到五代十国，一位位铁血豪情的开国名将，一段段发人深思的治国往事，一曲曲激扬奋进的历史交响。江西师范大学教授方志远做客《百家讲坛》，为您精彩讲述《国史通鉴·隋唐五代篇》，班超。

陕西省宝鸡市北郊的一个普通深夜，一声巨响惊醒了睡梦中的村民。第二天人们在封土堆上发现了盗洞，经过文物工作者的现场勘察，爆炸声没能打通厚厚的封土，但还是让人们产生了危机感，文物部门意识到大墓岌岌可危，挖掘工作迫在眉睫。 （《探索发现》 20160331 机关重重——五代秦王陵发掘记（上）） 　　陵原村1号墓中的石门以及精美的墓壁砖雕。石门安装后无法打开，端门由乱石堆砌而成，1号墓主人的安葬仪式是先下葬，后封门。墓室前门发现了许多精美砖雕，莲花图样的地砖。陵墓中的石墓志，上面刻有晋故秦国贤德太夫人墓志铭，证实了墓主人的身份。男性墓主人的墓室让考古队出乎意料，除了墓主人的身份，考古队在里面一无所获。（《探索发现》 20160401 机关重重——五代秦王陵发掘记（下））

The Armenian nation suffered two great catastrophes in the last century. In the First World War it was the genocide carried out by the Turks; in 1988 it was a devastating earthquake. After Armenia was able to finally achieve independence, over a million people left the country. Gravedigger Garnik, stonecutter Arut, orthodox priest Tatul and little Varuzh, however do not intend to leave their homes. They spend their days in the giant cemetery in the town of Giumri, which had been almost completely destroyed by the earthquake. In scenes of lyrical images, renowned documentary filmmaker Alexander Gutman effectively explores the borders between a town that is both and alive and dead and between childhood and adulthood. The combination of black and white, color, and yellow-black footage intensifies this gradually emerging insight into the Armenian soul. 　　Frescoes was shot in a small Armenian city that was almost completely destroyed by an earthquake in 1988. Soon after that tragedy, Armenia gained independence. The earthquake destroyed one city, but built another: the city of the dead, the cemetery. The central figures of the film are a young boy, a priest, a gravedigger and two stonemasons, who spend their days at the cemetery. Contrary to what one would expect, this is not only a place of death. There are conversations about the big and small things in life; people drink and laugh; a birthday celebration is held. The boy’s baptism and a flock of white doves released at a wedding ceremony symbolise the optimism and vitality of this small community and, by extension, the whole of Armenia.

徐子衿悲痛欲绝之际，收到了系统任务并穿越回和杨胜军大婚当天。徐子衿设计退婚，却在逃婚现场撞到陆寒洲并决定将其拿下，谁知，陆寒洲能听到徐子衿的心声且误以为她是间谍。于是一场爱情碟中谋就此上演

立志打造视频版“中国通史”的《梅毅说中国史》自2019年启动，走过秦汉、魏晋南北朝、隋唐，宋元辽金、明、清、元到今天已播出7季，以英雄人物为主线串起史实，又融合了历史演义小说的结构、风格，刻画和描绘场景、细节、感受，让人仿佛置身于历史现场；不是神化的帝王将相，也不是冰冷的数据，你能在节目中看到历史人物有情的一面：从渺小到伟大，从得意到失意，乱世挣扎中的反省、坚忍和抉择，直到炼成英雄。五代十国，是我们中国历史上一段大分裂时期。在这一时期，朝代与国家之间更迭的速度之快，皇帝非正常死亡之多，世所罕见。短短50多年的时间里，骄兵悍将们为所欲为，称王称帝。中原一带，相继或者平行，出现了后梁、后唐、后晋、后汉、后周五个政权，南方地区陆续还有以吴国、南唐、吴越、闽、南汉、前蜀、后蜀、南楚、荆南九个小国，北方有北汉，总共大约有十个地方割据政权。细细推究，五代各朝各国，内外混战不止，演变错综复杂，触目惊心，故事性很浓，血腥气更浓，确实让我们后人感到无限叹惋。

Edited screen tests of Parajanov's unfinished film. On the twentieth anniversary of the liberation of Kiev from the Nazis, a film director pays a stevedore to deliver a bunch of flowers to a general. By accident the director gives the wrong address and the stevedore delivers the flowers to a war widow who is currently working at an art museum.

It’s all the rage to evoke spectacular ‘immersive’ cinema today, but nothing matches the immersion effect of a Siegfried A. Fruhauf film. Agglomerating the textures of cave surfaces with the material traces of filmic processes, Cave Painting offers a trippy visual and sonic journey for the senses that evokes an avant-garde, grunge version of the psychedelia in Stanley Kubrick’s 2001: A Space Oydssey. Don’t blink, or you’ll miss something good. As always, Fruhauf conjures a new world. 　　源自：https://iffr.com/en/iffr/2023/films/cave-painting

《画的灵魂》讲述了一个落魄的仿画画家范高，迫于生计参加了绘画人工智能的学习样本计划，成为了绘画人工智能的学习对象。在范高作画的时候，名为“AI”人工智能觉醒，与范高进行对话，“AI”将范高拖入意识空间，在那里，范高看到了过去、现在和未来，范高触及到了画的灵魂。

洪乐瑥（金裕贞 饰）女扮男装化名洪三郎，靠着替人撰写情书牵线搭桥维持生计。某日，一个偶然的失误令洪乐瑥惹上了一大堆的麻烦，不仅欠下巨额债务，还身处于危险之中，与此同时，洪乐瑥结识了名为李韺（朴宝剑 饰）的书生，话不投机的两人之间因为种种误会而产生了诸多矛盾。 　　机遇巧合之下，洪乐瑥入宫成为了內侍，可是，让她没有想到的是，她竟然在宫中和李韺重逢了，原来，此人的真实身份竟然是高贵的王世子，而李韺为了替妹妹讨一口气，遂决定将洪乐瑥留在身边，想好好作弄作弄她。随着时间的推移，洪乐瑥和李韺患难与共，彼此之间竟然生成了真挚的感情，李韺再也无法无视内心里的悸动，而此时的他还并不知和自己朝夕相处的洪乐瑥，竟然是女儿身。

盐田武士话题小说，本年度本屋大赏入围作品<騙し絵の牙>宣布映画化，主演自然而然的花落这部小说的“主演”大泉洋。 　　完全按照“大泉洋”设定的小说主人公，盐田武士希望能够给大家呈现出大泉洋的最大魅力。 　　故事围绕着出版业界的幕后故事展开，映画相关讯息将日后公开。