长久以来，史学家一直怀疑有好机千艘船，堆出了一条从中东通往中国的海上丝路，这些船经历遥远的路途、越过滔滔白浪，但时间和深海早已将证据销毁殆尽…直到今日。1998年，德国工程师提尔曼华特方，发现了一艘公元九世纪的船只残骸，船上尽是完好如初的黄金、白银和瓷器。当证据一一揭晓，我们终于挖掘出这艘沉船的故事，透过实境重演，我们将穿越时光隧道，回到辛巴达的时代，当时险恶的大海可以把木造船只轻易摧毁。透过和海洋考古学家与瓷器专家的访谈，仔细检视从沉船上取回的特殊对象，我们把这些角色重现在观众面前，生动地呈现出公元九世纪唐朝的繁华中国。

Michel Peneud va mourir. Comme vous, comme moi, et comme sa mère, sauf que sa mère, c'est son médecin qui le lui a dit. Alors elle a décidé de vivre. Et vivre pour la maman de Michel Peneud, ça veut dire nourrir ses chats, boire du mousseux comme si c'était du champagne, et aimer Michel. Mais cet amour, Michel le trouve parfois un peu encombrant. A tel point qu'il semble soudain développer des symptômes très proches de ceux de sa mère. Et si Michel avait lui aussi un cancer du sein?

2008年，山林中出现的诡异女尸，打破了江城原本的平静，刑警雷牧与刚被调到雾市的法医宋寒心组成刑侦小组，联手对案件展开调查，是社会性报复？还是熟人作案？经多方排查，众人将目光聚集在女尸闺蜜高梦婷身上，就在他们实施抓捕时，高梦婷却离奇死亡，其男友马征成了最大的嫌疑人，真相似乎触手可得，现实却让他们与真相擦肩而过，马征也被宣告死亡，案情陷入困境，变得更加的扑朔迷离，谁会是杀害他们的真凶？凶手明显具有极强的反侦察意识以及医学知识，而这次他们不约而同的想到了同一个人。

2008年，山林中出现的诡异女尸，打破了江城原本的平静，刑警雷牧与刚被调到雾市的法医宋寒心组成刑侦小组，联手对案件展开调查，是社会性报复？还是熟人作案？经多方排查，众人将目光聚集在女尸闺蜜高梦婷身上，就在他们实施抓捕时，高梦婷却离奇死亡，其男友马征成了最大的嫌疑人，真相似乎触手可得，现实却让他们与真相擦肩而过，马征也被宣告死亡，案情陷入困境，变得更加的扑朔迷离，谁会是杀害他们的真凶？凶手明显具有极强的反侦察意识以及医学知识，而这次他们不约而同的想到了同一个人。

Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane’s mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer’s men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane’s brother, can help them to solve the case. But Jane doesn’t know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?

Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane’s mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer’s men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane’s brother, can help them to solve the case. But Jane doesn’t know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?

42岁的大禅寺住持根本一彻和人们思维定式中的僧人不太一样，他同时还是一个狂热的朋克青年。现在他的工作主要是通过一种独特的方法来帮助寻求自杀的人找到生活的意义。过去的十年中，根本一彻已经成功让成百上千的人放弃轻生，重返生活。然而，他自己却承受着另一种煎熬。他的电话几乎没有一刻停歇，他所在的寺庙拜访者络绎不绝，每天都保持着高强度的工作状态。由于对工作和自己生活的混淆，他的身体和家庭渐渐地出现了问题。

A man discovers an ancient Incan formula for raising the dead, and uses it for a series of revenge murders.

Moullet, the jester of the Nouvelle Vague, plays an elderly director who is past his best. He comes up with a plan to breathe new life into his fame and status: under the motto 'speak no evil over the dead', he fakes his own death and adopts the identity of a dead tramp (whom he finds on a deserted Alp, typical for Moullet). The media does indeed take the bait — but only after Moullet has had to put his plan briefly on ice because his colleague Jean-Luc Godard dies... 　　In his very own way, both film loving and comic, Moullet plays with the role of being director in the present film climate, in which the sun doesn't even shine on French veterans. The result is a masterfully weird snigger movie for connoisseurs and film lovers. 'This film was inspired by the basic idea of a film by Cecil B. DeMille, The Whispering Chorus (1918). But the theme I investigate here is very topical. The tone that was dramatic in the case of DeMille, is here more like a joke.' says Director Luc Moullet. 　　法國老牌導演路克．穆利親自演繹一名年老過氣的導演。他想到一個可以令自己的聲譽再次鹹魚翻生的方法：就是借格言〝不說死者的壞話〞的幫助。他偽造自己死亡的消息，並借用了一名已死的流浪漢的身份﹙他在山上找到這名流浪漢的屍體﹚。傳媒也真的受騙，只不過，在這之前，穆利必須先把自己的計劃暫時擱置，因為與他同輩的另一位導演尚盧．高達突然逝世…… 　　〝這部電影的創作靈感是來自西素．迪密爾 1918 年導演的《 The Whispering Chorus 》中的基本理念。但我在這裡所探討的主題卻是十分熱門的。迪密爾的影片的調子十分戲劇性，這裡則比較像一個笑話。〞── 路克．穆利