北美洲狂野的东部是一片孕育着自然奇迹的地带，人类城市与自然的血脉在此交织融合，和谐共存的生命乐章在这里奏响了数百年。从舒贝纳卡迪河中一年一度的鲥鱼壮观回溯，到爱德华王子岛上赤狐的狡黠生存术，以及巴德克小镇冬季绝无仅有的喂鹰场景，加拿大东海岸充满了自然界的恢复力和生存能力的惊人例证。本片将这些例子分门别类，简洁而深刻地介绍了自然界的兴衰，细数人类在这片土地上的功绩和罪过，充分挖掘了人与自然的可能性。“狂野东部”将带领大家了解更多关于这个迷人的北美角落，以及在此安家的野生动物们。

When an unknown disease wipes out most of the world's population, a man with unique blood is isolated for study. Fearing for his wife's safety, he breaks his quarantine - into a world overrun by monstrous Infected and a shadowy agency hunting them down.

When an unknown disease wipes out most of the world's population, a man with unique blood is isolated for study. Fearing for his wife's safety, he breaks his quarantine - into a world overrun by monstrous Infected and a shadowy agency hunting them down.

Screen adaptation of John Steinbeck's novel which begins in the years after the American Civil War and, through the story of the Trask family, brings to light a struggle and conflict inherent in the human condition.

为纪念拜占庭帝国陷落555周年，俄罗斯拍摄了一部长70分钟的电影《帝国的灭亡：拜占庭的教训》，电影解说人、脚本作者是东正教大司祭吉洪·舍夫库诺夫。该片播放后立即引起反响，成为俄罗斯改年度文化生活中的重大事件。

這是一部約兩小時的電視短劇，溫碧霞飾演一個戰亂時代的孤女(冬兒)被羅嘉良飾演的年青將軍(玄武)于危難中所救,兩人頓生情愫。 　　可是武必須奉父命出征,只好與冬相約數月後相見, 　　但戰事的延誤使兩人無法會合,而冬在這時被人捉去，當作向武之父進貢的民女。 　　武沒法尋獲霞,郤在府中和冬相遇,冬要求與武私奔, 　　但武不欲背叛父親,于是出征逃情而去,結果冬極不情願地成爲了武父的一名姬妾。 　　冬兒雖然得到李烈寵愛,但她色誘武兄,唆擺他弑父奪權,又離間他和武弟的關係, 　　且刻意接近府中粗獷忠心的侍衛首領莫一言(羅莽),以確保自身的安全。 　　後玄龍兄弟終弑父奪權,但又爲玄武所殺,武弟欲除去冬,侍衛首領言挺身相救, 玄虎被殺。 　　此時武聞家逢巨變,從塞外返回,得知一切事件皆由冬而起, 心痛不已, 　　而冬見武終于歸來,只表明心中情意一直未變,然後便自盡于武懷中.....

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

暗夜邪仙从天而降，鬼市地宫露出冰山一角，而风靡长安的诡异红茶究竟是养生之药还是害人之物？长安城里新娘失踪案接连发生，似乎与红茶有着千丝万缕的联…