《朋友调查局》是一档男女混合搭档演绎的小品式脱口秀节目，通过诙谐恶搞的方式演绎所有人与朋友相处时都会遇到的各种困扰，爆笑的同时也能引发观看者强烈的共鸣。

Don't watch it alone! Paranormal Witness is an intense, cinematic, high-octane drama-documentary series. The show brings to life the true stories of people who have lived through explanation-defying paranormal experiences. 　　Using a mixture of intimate first-hand testimony, personal photos and real footage, combined with grittily realistic drama, Paranormal Witness will transport you into a world turned upside down by extraordinary and terrifying events. 　　——来自官网 　　《超自然目击者》（Paranormal Witness）是Syfy转型之后开发的另一部反映超自然现象和「鬼现象」的真人秀节目，也是Syfy未来几年内逐步放弃常规科幻节目、全面转向低成本灵异节目的开端。在该节目中，一群所谓的「超自然现象亲历者」将现身说法，描述他们经历的「不可思议事件」。根据这些人活灵活现的描述，节目组将到事件发生所在地进行调查，「真实再现」那些或奇异或恐怖的场景。本质上和Syfy的《捉鬼队》系列、《事实与谎言：超自然档案》、《真相大追击》等节目没有太大区别，但该节目采用「故事化」的手法进行拍摄，有演员参与「演出」，从下面的「剧照」中也可见一斑。 　　——来自天涯小筑

《联邦调查局：通缉要犯部 FBI: Most Wanted》是《联邦调查局 FBI》的衍生剧后门试映集，然后被正式预订。《联邦调查局：通缉要犯部》讲述FBI一个分部门，他们任 务是专门追捕联邦调查局最高通缉名单里的犯人；这部衍生剧由Dick Wolf及Rene Balc er执笔，Fred Berner负责执导。

A dedicated FBI agent recalls the agency's battles against the Klan, organized crime and Communist spies.

A young filmmaker documents his ghost-hunting, reality show friends as their routine investigation of an abandoned orphanage turns into a nightmare from which they can't escape.

A young filmmaker documents his ghost-hunting, reality show friends as their routine investigation of an abandoned orphanage turns into a nightmare from which they can't escape.

2005年、ある観光地で起きた無差別殺人。犯行直後に犯人が海に飛び降り自殺。白石晃士は事件の被害者である青年・江野祥平に出会い、奇妙な証言を聞き出すが…。「口裂け女」の白石晃士監督が放つ、フェイクメンタリーホラー。

2005年、ある観光地で起きた無差別殺人。犯行直後に犯人が海に飛び降り自殺。白石晃士は事件の被害者である青年・江野祥平に出会い、奇妙な証言を聞き出すが…。「口裂け女」の白石晃士監督が放つ、フェイクメンタリーホラー。

It starts with two voices in the dark, although they’re hardly voices, more electronic squelching noises darting back and forth across the soundtrack, their messages subtitled, gently directing us through the film. They speak to each another with such tenderness that they could be in love, although the overlapping “yous”, “Is” and “wes” they keep repeating could also be aimed at those all around them, whether those who later take to the screen or those sitting in the auditorium watching it; guided meditation, like cinema, is a collective experience, something for everybody. Bodies of all kinds duly appear before the camera, filmed with the same tenderness and in so many shifting, shimmering textures: young performers with and without disabilities, filigree crabs and shrimps, drawings of birds, a singing mermaid princess and scuttling plastic insects. These myriad bodies are impossible to separate from the landscape they find themselves in, the waters, rocks and mountains of Madeira, its plants, flowers and fruits, an island as a body full of bodies that are full of bodies in turn; such effortless elimination of boundaries is indeed supernatural. Hug me baby, don’t let me fall.

It starts with two voices in the dark, although they’re hardly voices, more electronic squelching noises darting back and forth across the soundtrack, their messages subtitled, gently directing us through the film. They speak to each another with such tenderness that they could be in love, although the overlapping “yous”, “Is” and “wes” they keep repeating could also be aimed at those all around them, whether those who later take to the screen or those sitting in the auditorium watching it; guided meditation, like cinema, is a collective experience, something for everybody. Bodies of all kinds duly appear before the camera, filmed with the same tenderness and in so many shifting, shimmering textures: young performers with and without disabilities, filigree crabs and shrimps, drawings of birds, a singing mermaid princess and scuttling plastic insects. These myriad bodies are impossible to separate from the landscape they find themselves in, the waters, rocks and mountains of Madeira, its plants, flowers and fruits, an island as a body full of bodies that are full of bodies in turn; such effortless elimination of boundaries is indeed supernatural. Hug me baby, don’t let me fall.