一个自由奔放的女孩在一次深夜聚会后，发现自己赤身裸体地躺在一座废弃的建筑物里，这让她震惊不已。

From the creators of Hulu’s “Fyre Fraud,” LuLaRich is a true-con docuseries about LuLaRoe, the women’s internet apparel company that went from fast-growing retail phenomenon to alleged viral multi-level marketing scam. The four part series streams September 10th, only on Amazon Prime Video.

费力耗时的中国传统服装在廉价方便的批量服装面前不堪一击。而这些传统服装制作工艺的耗时性实际上构成了对我们这个时代的反抗，反抗这个时代人类最可宝贵的精神和情感的缺失。我们去到山里、来到海边，向手工制作服装的人们学习，探索人类双手与自然万物的融合；与手工艺人进行对话，尝试发展传统服装的工艺和设计，使之适应现代生活的需求。让中国传统服装以及制作手工艺所承载的农耕文化因子传承下去，让我们对这个世界的感受回归到初心。

山本耀司 Yohji Yamamoto 　　三宅一生 Issey Miyake 　　川久保玲 Rei Kawakubo 　　高田賢三 Kenzo Takada 　　並稱為日本四大殿堂時裝設計師 　　「我不想說話，我將全部感情都放在我的服裝裡，我讓我的衣服說話」－黑色詩人，山本耀司 　　挑戰美學認知的反時尚大師 　　榮獲英、法設計大獎及日本紫綬褒章 　　山本耀司、三宅一生、川久保玲與高田賢三，被時裝界奉為日本四大殿堂時裝設計師。少數能站穩高級時裝界的亞洲設計師之一，山本耀司以獨有的黑色，打造他的反時尚帝國。從傳統日本服飾中吸取美的靈感，打破西方凸顯女性身形的緊身剪裁，以一句「我希望為女士製作男裝」，創造寬鬆且不受拘束的前衛率性。近年更與Adidas合作，為運動品牌加入時尚元素，打造全新Y3品牌，再創高峰。 　　有著黑色詩人之稱的山本耀司，此次將透過鏡頭娓娓道出，他的藝術哲學與創作過程，揭開這位73歲的時尚大師，不為人知的神秘黑色面紗。本片走訪山本耀司兒時生長地－歌舞伎町，訪問他的母親、員工及友人，深入了解這位時尚大師不為人知的時裝哲學、創作過程，以及他所追求的時裝核心價值。

本剧讲述某国际知名专卖店里，前任店长刚调走，新店长尚未上任；在这“半自由无政府”状态下，店员杜紫藤享受着可以天天上班迟到的生活；可另一店员苏爽爽却是截然不同的工作态度，每天早去晚回的忙里忙外，原来她是利用职务之便和小手段，亏空店里的钱赚取差价。这一天注定是苏爽爽倒霉的日子，新店长程鑫“微服出巡”，苏爽爽误认为是顾客，故伎重演利用VIP会员卡盗用公款，这事被程鑫当场戳穿，当场辞退了她，并正式接任了“店长”职务，杜紫藤和Francois两人大吃一惊。程鑫宣布要招一名男员工，紫藤却暗地里怪招百出，准备搞砸“招工计划”，阴差阳错竟把过来买东西的朱葛给强招了进来......

HIRAKATAは、かつては国内史上、5指に入る屈指のアパレルメーカーだった。 　　その企業の復活への格闘と、藤村雄二（高嶋政伸）を中心に組成された 　　デザインチームのチャレンジをテーマにした映画。

HIRAKATAは、かつては国内史上、5指に入る屈指のアパレルメーカーだった。 　　その企業の復活への格闘と、藤村雄二（高嶋政伸）を中心に組成された 　　デザインチームのチャレンジをテーマにした映画。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。