"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

《盲目商务》聚焦各地区特产宣传，举办销售宣传竞争比拼大会，旨在推动受疫情影响地区的农产品销售，同时实现地区宣传。节目由笑星李辉才、申奉仙担任MC，演员洪秀雅与模特文秀仁搭档主持。节目里，主持人们奔赴韩国各地探寻当地特色产品，分成两队，在当地人协助下，通过试吃、体验等多种方式深入了解产品特性，开展商品展销竞争。之后，两队各选一种产品，进行最终的线上直播销售对决。首期节目中，4位主持人来到韩国全罗南道木安郡，此地拥有适宜农作物生长的肥沃土地、东方最大规模的白莲种植地，还是韩国一号湿地保护区，特产丰富，野生章鱼、洋葱汁、鱼虾酱、特产野菜、洋葱饮料、特产地瓜、淡水鳗鱼等均在其中。李辉才、洪秀雅一队，申奉仙、文秀仁一队，分别以洋葱汁和淡水鳗鱼作为竞赛产品，开启线上直播销售对决。

《盲目商务》以宣传各地区特产为核心内容，展开销售宣传竞争比拼大会，以此促进收到疫情影响的地区农产品销售，同时达到地区宣传作用。 节目由笑星李辉才、申奉仙担任MC，演员洪秀雅、模特文秀仁搭档主持。节目中，主持人们前往韩国各地，寻找当地特色产品，分成两队，在当地人的帮助下，以试吃、体验等多样形式详细了解产品特性，展开商品展销竞争。随后，两队各选出一种产品，展开最终线上直播销售对决。首期节目，4位主持人来到韩国全罗南道木安郡，这里有事宜农作物生长的肥沃土地、有东方最大规模的白莲种植地，还是韩国一号湿地保护区，因此拥有不计其数的优质特产，野生章鱼、洋葱汁、鱼虾酱、特产野菜、洋葱饮料、特产地瓜、淡水鳗鱼都包含其中。李辉才、洪秀雅组成一队，申奉仙、文秀仁组成另一队，分别以洋葱汁和淡水鳗鱼为竞赛产品，展开线上直播销售对决。

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

In Theme Song, Acconci uses video as close-up to establish a perversely intimate relation with the viewer, creating a personal space in which to talk directly to (and manipulate) the spectator. He is face to face with the viewer, his head close against the video screen, lying cozily on the floor. Acconci writes, "The scene is a living room — quiet, private night — the scene for a come-on — I can bring my legs around, wrapping myself around the viewer — I'm playing songs on a tape recorder — I follow the songs up, I'm building a relationship, I'm carrying it through." Smoking cigarettes, he begins a seductive monologue as he plays "theme songs" by the Doors, Bob Dylan, Van Morrison, Kris Kristofferson and others on a tape recorder. The songs are a starting point for his come-ons; the tenor of his monologues shifts with the lyrics. "Of course I can't see your face. I have no idea what your face looks like. You could be anybody out there, but there's gotta be somebody watching me.

丹尼尔（文斯•沃恩Vince Vaughn 饰）一直以来都是一个在职场中默默无闻的小白领，虽然他拥有着不输于其他人的能力，但总是得不到上司的重用。长此以往，丹尼尔的心里越来越不平衡，最终，他提出了辞职，并且自立门户，成为了老东家的竞争对手。 　　虽说丹尼尔如今翻身做了老板，但他的手下只有两名员工，他们是初出茅庐的麦克（戴夫•弗兰科Dave Franco 饰）和职场老江湖提摩西（汤姆•威尔金森Tom Wilkinson 饰）。为了报复前老板，丹尼尔带着两名员工前往欧洲，准备去和老东家争夺一宗大生意，能否成功做成这笔生意，关系到丹尼尔公司的存亡。好巧不巧，在目的地，丹尼尔和他从前的主管重逢了。

丹尼尔（文斯•沃恩Vince Vaughn 饰）一直以来都是一个在职场中默默无闻的小白领，虽然他拥有着不输于其他人的能力，但总是得不到上司的重用。长此以往，丹尼尔的心里越来越不平衡，最终，他提出了辞职，并且自立门户，成为了老东家的竞争对手。 　　虽说丹尼尔如今翻身做了老板，但他的手下只有两名员工，他们是初出茅庐的麦克（戴夫•弗兰科Dave Franco 饰）和职场老江湖提摩西（汤姆•威尔金森Tom Wilkinson 饰）。为了报复前老板，丹尼尔带着两名员工前往欧洲，准备去和老东家争夺一宗大生意，能否成功做成这笔生意，关系到丹尼尔公司的存亡。好巧不巧，在目的地，丹尼尔和他从前的主管重逢了。