卡尔·纳格尔（欧文·威尔逊 饰）是美国一位画家，他的声音轻柔，几十年来一直在佛蒙特州的公共电视台主持自己的绘画节目。多年来，他的艺术吸引了许多妇女的注意，特别是那些在电视台工作的妇女。但卡尔的生活一成不变，节目收视率也不高。当一个新的画家被雇用来振兴这个频道时，卡尔自己对他作为一个画家的天赋的恐惧被带到了前台。

卡尔·纳格尔（欧文·威尔逊 饰）是美国一位画家，他的声音轻柔，几十年来一直在佛蒙特州的公共电视台主持自己的绘画节目。多年来，他的艺术吸引了许多妇女的注意，特别是那些在电视台工作的妇女。但卡尔的生活一成不变，节目收视率也不高。当一个新的画家被雇用来振兴这个频道时，卡尔自己对他作为一个画家的天赋的恐惧被带到了前台。

全球首部走进院线的AIGC大电影. 　　郑一嫂是中国清朝的一名渔家女，她命运曲折，先后成为海盗头子郑一的夫人，郑一死后，她自己又成为一名女海盗，巅峰时手下战船千艘，海盗多达近十万人。清末时期，中国面临列强侵略，郑一嫂决定抵御洋人，带领海盗，火烧洋人运鸦片船只，并为林则徐抗击英国侵略者出谋划策，最后被清政府封为“诰命夫人”。 　　《海上女王郑一嫂》 通过最新AIGC数字技术，用AI“造”出近千位AI数字演员，真实还原了这一段历史，记录了郑一嫂抵御外来侵略者的传奇经历。

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

阿里的父亲是位建桥工人，他们一家随着父亲，来到一个小村庄暂住。阿里喜欢画画，在村子里他结识了画家爷爷，并且得到了指点。身患疾病的小姑娘只能静静地待在家里，于是他为小姑娘精心绘制五颜六色的图画，希望她能通过绘画看到大自然的美好。时间过得飞快，父亲的工作结束了，他们又要迁移了。临行前 ，阿里终于完成绘画，将它们摆在小姑娘家的门前。

玛丽娜（Marina）是一名优等生，她的父亲是一名职业杀手，母亲患有残疾。因为她的父亲在一次任务中丧生，玛丽娜的生活很快陷入混乱，需要她接管家族生意，成为母亲唯一的照顾者。

In colonial Brazil, boy is sent to live with some parents in a sugarcane plantation, after losing his mother. His adaptation will be difficult and painful. A young boy goes to live with his grandfather on a Brazilian plantation after his mother dies. Haunted by the memories of her violent death, the boy slowly adapts to his new surroundings until death, marriage, and the passage of time breaks up the family. Only when the boy is old enough to experience his first love does he leave to attend a city school.

mojo muse management制作 皮伊是一位作家，他决定住在度假村的民宿写作取灵感，但因装修而暂停营业，老板阿霆提出透过系统退还订金，皮伊却不同意坚持留在这房子。 皮伊在这里与阿霆朝夕相处，创造出共同的回忆，皮伊希望将阿霆的故事变成自己小说的一部分，激发出天马行空的想像灵感，俩人关系越来越近... 「写小说就是在讲述你希望的故事，但现实生活……就是接受事物原本的样子！ 」 Produced by Mojo Muse Management Pee is a writer who decided to stay at a homestay in a resort for writing inspiration, but due to renovation, the business was suspended. The owner Arthi...