作品在疾病和身体的主题下，通过移动影像的媒介把个人的经验总结成对话的舞台，并且以摄影为基础，通过动画，装置，表演去完善图像语言。她通过个人经历去探讨现代医学对于身体的介入，控制和改变。作品中通过不同视角的转化，从自我的视角，父亲的视角，孩子的视角去构建一场关于身体和疾病的对话。在身体作为映射的载体下，这种不同角色的对话，传达了作者本身对于生命，身体，疾病和人类的世界观。同时在疾病的这个话题下，探讨身体的有机化和无机化之间的关系（有机化是针对肉体本身生理性的一种描述，而无机化是在疾病的介入下，身体作为工具被重复处理的一种状态），通过个体的经历不同对于身体改变的不同进行创作，同时也从私人的角度切入以公开化的形式探讨个体在疾病框架下的亲密关系。在这一些列探讨中，希望通过作品突破身体的边缘性，跳脱出这样本体的状态用更客观的角度去看待自己和他人的身体。也希望通过个人经历和对群体的观察和思考在体验和感受中发现自我本身和社会之间的联系，同时也从观看社会现象和他人中去反思生命。

天主教、巫术和酷儿欲望在 3D 动画场景中相互碰撞。 在这个临界空间中，语言慢慢展开，并悬于欲望与传统、温柔与暴力之间。

对瓦尔达过去影片内容的再剪辑

对瓦尔达过去影片内容的再剪辑

Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself. 　　DIRECTOR’S STATEMENT 　　What is the connection between aggression and sexuality? In the fourth grade of primary school me and my best buddies went to the school toilet and measured who had the biggest penis. We couldn’t agree on it so all three of us had a fist fight still having our penises out. Then came the 90’s, the war and all the violence and hate between former Yugoslavian countries. We were all kids and we didn’t know what was happening. But we grew up, and now it’s time to fuck.

Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.

The afternoon Jorge asks Mariana over for a weekend at his house in Leiria, she starts to see him in a whole new light. Unsure of her friend’s intentions, Mariana accepts his unexpected and baffling invitation. 　　源自：https://www.semainedelacritique.com/en/edition/2023/movie/corpos-cintilantes

The afternoon Jorge asks Mariana over for a weekend at his house in Leiria, she starts to see him in a whole new light. Unsure of her friend’s intentions, Mariana accepts his unexpected and baffling invitation. 　　源自：https://www.semainedelacritique.com/en/edition/2023/movie/corpos-cintilantes

亚努什并不是一个容易被惊吓的男人。作为一个法医他进行精密的研究，分析每分钟的犯罪场景。尽管这种极端的场面让他抗拒，但他仍然努力工作。也许太努力了。面对他患有厌食症的女儿，仍旧处于母逝悲痛之中的奥尔加，感到无能为力。因害怕女儿自杀，亚努什将她送到精神病医生安娜的诊所治疗。多年前，安娜失去了她的孩子，现在和他的狗独自住在一所偏远的公寓里，与世隔绝，并与逝去的亡灵沟通… 　　玛高扎塔•施莫夫兹卡以带有黑色喜剧元素的作品去讲述人们遭遇到的困难，在失去所爱人之后挣扎面对的痛苦。电影展示了人们对亲密关系的恐惧与渴望。因为精神上的痛苦，妄图从秘密中逃离的自我伤害。在理性和对超自然宇宙信仰之间的冲突，以及心在孤独之中纷繁的冥想。

Set up strange situations for random people to experience, and monitor how they react to them.