2019年夏天，《陈情令》播出后在亚洲掀起热潮，收获了大批陈情女孩的支持与喜爱。为感谢观众的厚爱，《陈情令》剧组给陈情少年们（剧中主要演员）安排了一个又一个特别任务。节目如实记录了少年们相互陪伴、努力协作、共同完成任务的成长历程。

2019年的夏天，《陈情令》在播出后风靡了亚洲，有幸得到了大批陈情女孩的支持与喜爱。《陈情令》剧组为了感谢大家的知遇之恩，给予了陈情少年们（剧中主要演员）一个又一个的特别任务。节目真实记录了少年们相伴努力、共同完成任务的成长过程。

作品于 2022年8月在武汉拍摄，讲述了一个关于健美操的体育题材剧情片，影片中包含了高中生所面临的现实困境、他们的友谊和成长。选择健美操作为拍摄内容，是因为影片中大部分发生的故事是自己的亲身经历，在每天枯燥乏味的训练中，和队友们朝夕相处，共同进步。故事发生的时间是在主角们的高中时期，高中生们叛逆乖张，会因为一句话或者某个很小的行为大动干戈，六个叛逆的高中生被教练强行拉入健美操队后并没有认真的训练，而是每天划水，不服管教，但是在教练的不屑努力下，六个孩子逐渐团结在一起，也找到了奋斗的目标和意义。比赛的结果如何已经不重要，重要的是六个少年在武汉炎热的夏天找到了自我，收获了成长。

DMD Mandee Work新剧《你相信看不见的东西吗…?》。当命运充满超自然色彩，无形的力量会指引两人相遇。柯美出生于一个被诅咒的家庭，传说这个家庭里女儿能平安无事，儿子却会在20岁前死去。柯美的母亲很机智，给他取了个女孩名柯美基拉（Khemjira），意为“永远安全”。柯美一直以为相安无事，直到19岁生日那晚，他梦到一个可怕的女人，这个离奇恐怖的梦开启了他的噩梦。他开始看见鬼魂，那些鬼魂不断困扰他，还试图夺取他的性命。此刻，他的生活犹如一颗定时炸弹。在诅咒的最后一年，他必须想尽办法顽强生存。随后，他去求助一位名叫“法兰”的神秘主义者，他的朋友称法兰是唯一能打破诅咒的人。该剧改编自卡利（คาลิ）的小说《赫姆吉拉会活下来》（เขมจิราต้องรอด）。 Khem出生在一个被诅咒的家庭。据说……

DMD Mandee Work新剧 　　你相信看不见的东西吗…?” 　　“当他的命运超自然时，看不见的力量会指引他们两人相遇” 　　柯美出生在一个被诅咒的家庭。据说，女儿出生在这个家庭会很安全。然而，一个儿子会在20岁之前死去。Khem的母亲聪明地给他起了一个女孩的名字柯美基拉（Khemjira），意思是“永远安全”希姆认为直到他19岁生日。这晚梦见一个可怕的女人。这是一个离奇可怕的梦。他开始看到鬼魂，困扰着他，并试图夺走他的生命。现在，他的生活就像一颗定时炸弹。在诅咒的最后一年，他必须茁壮成长，不惜一切代价生存。然后，他去见了一位名叫“法兰”的神秘主义者，他的朋友称他是唯一可以打破诅咒的人。~~改编自卡利(คาลิ).)的小说《赫姆吉拉会活下来》(เขมจิราต้องรอด) 　　Khem is born into a cursed family. Supposedly, a daughter born into the family would be safe. However, a son would die before he'd reached the age of twenty. Khem's mother cleverly gives him a girl's name, Khemjira, which means "forever safe." Khem believes that until his nineteenth birthday.I dreamed of a terrible woman this night. This is a bizarre and terrible dream. He began to see ghosts, haunted him and tried to take his life. Now, his life is like a time bomb. In the last year of the curse, he must thrive and survive at all costs. Then, he went to see a mystic named "Fran", and his friends said that he was the only one who could break the curse. 　　~~ Adapted from the novel "Khemjira Will Survive" (เขมจิราต้องรอด) by Cali

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

10 hours of paint drying on a wall.

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

一个穿着罩袍的外国妇女带着儿子到哥本哈根警察局申诉遭遇丈夫家暴，但分给她的翻译员似乎不愿意真实传达她的表述。这是一部关于文化隔阂与官僚愚昧的电影。