美丽冷艳的紫苑（嶋村かおり 饰）自幼生活在圣玛丽亚女子修道院中，在上帝使者身份的掩护下，神父和修女却从事着黑暗的工作。他们将女孩们训练成杀手，凭借美色去猎杀目标。紫苑身手干练，尤得神父的喜欢。当她得知自己曾被神父利用杀害了自己的亲生父亲时，紫苑决定结束这种傀儡生活。她选择背叛神父，由于她掌握了这个刺杀组织的名单，因此遭到昔日同侪的追杀。为了除掉紫苑，组织派出年轻的修女——也是紫苑的好友茜（今村理恵 饰）执行刺杀任务。中途茜心有反悔，最终致令修道院的姐妹遭到残酷屠杀。从此开始，紫苑和茜与组织展开了绝命周旋…… 　　本片为“ＸＸ系列”第七部，改编自花村万月的小说《紫苑》。

身为王妃的卫姝意殚心竭虑侍奉丈夫，照料怀孕的妾室亲妹，换来的却是他们如碾死一只蚂蚁一般轻易地扼杀了自己可怜可爱的幼女。

身为王妃的卫姝意殚心竭虑侍奉丈夫，照料怀孕的妾室亲妹，换来的却是他们如碾死一只蚂蚁一般轻易地扼杀了自己可怜可爱的幼女。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

喜，便是喜悦，各种各样的喜悦。 有开心之喜，有感动之喜，有兴奋之喜，有善良之喜，有 期盼之喜，更有收获之喜......

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。

在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们还能成为彼此眼中最好的那个人吗？