克里斯汀（罗密·施奈德 Romy Schneider 饰）的父亲是一位有名的音乐家，她自幼生长在充满了艺术氛围的家庭之中，个性奔放而又向往着自由。成年后，在父亲的安排下，克里斯汀和一名男子结下了婚约，但之后，她邂逅了名为弗朗茨（阿兰·德龙 Alain Delon 饰）的年轻军官，啥时间，两人疯狂的坠入了情网。为了能够和弗朗茨在一起，克里斯汀甚至背信弃义，解除了婚约。谁知道，风流的弗朗茨曾经和男爵夫人（米谢琳·普雷斯勒 Micheline Presle 饰）有过一段桃色的往事，虽然这段情事早已经成为了历史，但还是被男爵知道了。愤怒的男爵找到了弗朗茨，要同他进行决斗。

许婉若带弟投姨母被拒，谢羡予收留。表面清风霁月的谢家大公子，私下逼她牺牲自己。为求生，她x身。谢羡予视她为囊中之物欲纳为妾，她却时刻想逃离谢府牢笼。

姜映晚本钟情容时箐，却因裴砚忱执着追求陷入两难。 经多次冲突、误会，在裴砚忧保护下她认清对其感情。 可容时箐再度现身，让这段感情面临更多挑战。

许婉若带弟投姨母被拒，谢羡予收留。表面清风霁月的谢家大公子，私下逼她牺牲自己。为求生，她x身。谢羡予视她为囊中之物欲纳为妾，她却时刻想逃离谢府牢笼。

姜映晚本钟情容时箐，却因裴砚忱执着追求陷入两难。 经多次冲突、误会，在裴砚忧保护下她认清对其感情。 可容时箐再度现身，让这段感情面临更多挑战。

女主曾是炙手可热的金牌策展人, 在事业颠峰期为了丈夫隐退, 不仅为爱洗手作羹汤; 更为了丈夫与家中决裂不再来往。 从此一路扶持画家丈夫上位日子过得有滋有润。 直到家中梳妆台上出现小三故意留下的隐形眼镜盒, 将女主这段看似幸福美满的婚姻撕开了裂口, 女主顺着蛛丝马迹探寻, 竟发现了枕边人竟与闺蜜一起联手背叛, 面对年龄尚幼的儿子, 背叛的丈夫, 以及这段笈笈可危的婚姻, 女主选择去父留子, 手刃敌蜜, 亲手拿回她应得的一切。

Walter Williams (Brian Donlevy) is a take-charge captain of industry who has worked his way up in a San Francisco steel company from a position as a sheet metal worker. He loves his wife Irene (Helen Walker) very much and they have planned a vacation drive together. Irene cancels at the last minute claiming a toothache, but asks that Walter drive her cousin Jim Torrance (Tony Barrett) as far as Illinois. Walter agrees and he and Jim take off together but later Jim knocks Walter unconscious and takes the car only to be hit himself by a truck and killed, his body burned beyond recognition. Walter comes to and suffering a concussion and deep confusion from feeling betrayed by Irene hides out in a small Midwest town until guilt and peer pressure force him to go back to San Francisco and tell his story to the Police. But by the time Walter returns to San Francisco a clever detective Lieutenant Quincy (Charles Coburn) has uncovered some facts about Irene and her cousin' Jim. The police have been holding Irene for the murder of her husband Walter but release her considering that Walter was hiding out because he had killed Jim. Along the way to uncovering the truth in Court Walter realizes some hard fact about what he holds valuable and the trust he has put in those around him.

Walter Williams (Brian Donlevy) is a take-charge captain of industry who has worked his way up in a San Francisco steel company from a position as a sheet metal worker. He loves his wife Irene (Helen Walker) very much and they have planned a vacation drive together. Irene cancels at the last minute claiming a toothache, but asks that Walter drive her cousin Jim Torrance (Tony Barrett) as far as Illinois. Walter agrees and he and Jim take off together but later Jim knocks Walter unconscious and takes the car only to be hit himself by a truck and killed, his body burned beyond recognition. Walter comes to and suffering a concussion and deep confusion from feeling betrayed by Irene hides out in a small Midwest town until guilt and peer pressure force him to go back to San Francisco and tell his story to the Police. But by the time Walter returns to San Francisco a clever detective Lieutenant Quincy (Charles Coburn) has uncovered some facts about Irene and her cousin' Jim. The police have been holding Irene for the murder of her husband Walter but release her considering that Walter was hiding out because he had killed Jim. Along the way to uncovering the truth in Court Walter realizes some hard fact about what he holds valuable and the trust he has put in those around him.

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.

秦香雪为给家族翻案，顶替白家嫡女白若潼入宫选秀，从美人到贵妃，步步为营。原以为家族受迫害是因后宫女人的争斗，在逐渐深入中发现当年家族灭绝的真正缘由……