Rubén rides the familiar path down to the beach. Today he’d decided to grab his bike to enjoy the sea air, something he can’t do everyday. What Rubén doesn’t know is what will soon be unchained by an encounter behind the rocks with a man named Paco. Julia practices Yoga on her top roof, out of sight of the beach but today there’s something new in her husband when he returns from his ride in the afternoon. That afternoon that will change a relationship between two people forever

Rubén rides the familiar path down to the beach. Today he’d decided to grab his bike to enjoy the sea air, something he can’t do everyday. What Rubén doesn’t know is what will soon be unchained by an encounter behind the rocks with a man named Paco. Julia practices Yoga on her top roof, out of sight of the beach but today there’s something new in her husband when he returns from his ride in the afternoon. That afternoon that will change a relationship between two people forever

意识自无尽冰寒中挣扎浮现，龙轩猛地睁眼，映入眼帘的却是雕龙画栋、灵气氤氲的陌生床幔。海量记忆碎片轰然涌入——他竟魂穿成了荒古大世界里的炮灰反派秦寒！原著中，这厮因痴缠天命之女，往死里得罪了气运之子叶青羽，最终下场是被抽魂炼魄，制成尸傀，永世不得超生！ “我……”龙轩喉头发紧，一股寒意从脚底直窜天灵盖。他下意识摸索手指，一枚古朴的储物戒微凉——里面是足以买下半个圣地的滔天资源。绝望中猛地闪过一丝亮光：等等，有这些资本，为何非要作死？抱紧主角大腿直接躺赢，它不香吗！

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 　　http://www.amazon.com/review/R2ZAX94P5JAV07/ref=cm_cr_rdp_perm

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camerawork from Brian West provide intensive underpinning to a film that never retreats away from the plotline perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format. 　　http://www.amazon.com/review/R2ZAX94P5JAV07/ref=cm_cr_rdp_perm

叶萱萱因五年前书信婚约嫁入徐家展开，婚后发现丈夫徐家硕冒用身份与其成婚，并出轨女演员周梦秋。在叶萱萱母亲病重时，徐家硕见死不救致其身亡，叶萱萱选择离婚并实施复仇计划。过程中她逐渐发现前夫小叔徐毅的真实身份——五年前的书信恋人，两人在摧毁徐家产业的过程中情感升温。

普拉卡姆医生是一位致力于拯救人们生命的著名外科医生。然而，当他试图拯救生命时，他总是被他最不想见到的人拜访。死神每天都会出现，试图夺走医生试图拯救的人的灵魂。他们为完全对立的一方工作。一个必须收集死者的灵魂，另一个必须拯救生活在他们到达那个状态之前。有没有可能爱上你极力避免的那一件事，死神和一个医生的爱情故事要怎么持续下去？

普拉卡姆医生是一位致力于拯救人们生命的著名外科医生。然而，当他试图拯救生命时，他总是被他最不想见到的人拜访。死神每天都会出现，试图夺走医生试图拯救的人的灵魂。他们为完全对立的一方工作。一个必须收集死者的灵魂，另一个必须拯救生活在他们到达那个状态之前。有没有可能爱上你极力避免的那一件事，死神和一个医生的爱情故事要怎么持续下去？

讲述四兄妹离家各过各的生活突然有一天同时回到家里发生的故事，这是一部为了唤醒现代子女意识到父母的珍贵，关于现时代操心劳累的父母的故事。