《嘉翠麗》记录了澳门首批现代化公共房屋的拆除过程，通过孩子们的对话创作诗歌，将嘉翠丽大厦的民间记忆串联起来，对人与空间、时代与情感的延伸进行了探索。

麻薬取締官として、暗黒街を支配するトライデント財団に乗り込んだ麗蘭。 だが、逆に財団の総帥・東条に捕らえられてしまう！ 東条に処女を奪われた麗蘭は、その快楽に酔いしれる……

这是两个年逾……的人的爱情故事。丰富的人生阅历使他们无法完全信任彼此，他们有所畏惧，有些障碍难以跨越。人生之秋，恰似一年中的秋季……影片的故事恰好在初秋上演并非偶然，这与两位主角所处的人生阶段相契合。

我是翠芬，跟张铁牛结婚三年，肚里揣着娃快生了。 他说去关外找野山参给我补身子“你在家等着，生之前我准回来。” 电话刚撂，我就听见那头有女的喊“铁牛哥”是他初恋柳儿。 翻他包袱，随行名单上写着柳儿，还有他相好过的寡妇希娘。 我摸着戒指没吭声。 等他把房契押出去换路费，我一笔一笔往回捞。地契、欠条，全改了我名儿。 他回来那天，我抱着娃在门口迎“山参呢” 他脸白了。我却笑了笑“你那几张欠条，我撕了。对了，那几亩地现在是我名儿，想种地，得问我答不答应。”

《琬翠》讲述的是高位截瘫却自强不息、全身心投入公益事业的琬翠，组建公益组织，开展扶残助残、扶危济困，寻找生命真谛的励志故事。

讲述的是高位截瘫却自强不息、全身心投入公益事业的琬翠，组建公益组织，开展扶残助残、扶危济困，寻找生命真谛的励志故事。

暂无剧情简介

理发匠乃端和翠彩家是邻居，乃端的儿子德恩与翠彩从小一起长大，两人萌生了懵懂的恋情。后来翠彩父母离世，理发匠便收养翠彩为义女。然而，由于理发匠家境穷困，在亲王逼债的压力下，他把翠彩献给了亲王。亲王的儿子玷污了翠彩后，将她逐出王室，翠彩在孤单中生下一个女儿。为了维持生计，她到一家剧院做了演员。德恩因失去翠彩而心情抑郁、生病，还放火烧了自家房屋。翠彩也因难以忍受剧院老板的欺辱而离开了戏院。最终，德恩、翠彩和乃端一家人得以再次团聚。

方盈(陳詠薇)、喬莊(章凌風)、岳華(余亞南)、王俠(章凌宵)、井莉(章凌雲)、嚴俊(章一偉)、白琳(綠綠)、歐陽莎菲(章母朱舜涓)、高寶樹(薇母許潔君)、田琛、雷鳴(山地小學校長韋白)、黃楓、顧文宗、李麗華、操帑(童星)(秀荷)、鄭文芳(秀枝)、劉棻(薇父)

Anne Trister follows director Léa Pool's route in life from youth in French speaking Switzerland to adulthood in Quebec in Canada. The film deals with issues of child abuse and bi-sexuality as well as the quest to find roots. Art student Anne Trister has, like Lea Pool, a Jewish father and a gentile mother. Her father's death is what moves her to leave school and her lover in Switzerland behind and travel to Montreal in Canada for the last rites. She stays with an older friend Alix, a child psychiatrist absorbed by the case of an abused little girl. Alix tries to help Anne to relate to her Jewish roots by telling her about a trip to the desert she once made. Anne is fascinated by the story and by Alix and falls in love with her. In the meantime she expresses her feelings in art by creating a fantastic mural of the desert on the walls of a studio lent to her by one of her father's old friends. However, Alix chooses for a man in her life and disturbed by her rejection Anne falls from scaffolding in her studio. When she comes to in hospital her studio and with it her dream world has been torn down. Now she must face reality and be free. In the closing shots Alix receives a parcel containing a handful of sand and a short film of Anne in the desert. The soundtrack prominently features a chanson by Danielle Messiah (De la main gauche) that lends the film much of its mood.