来自彩虹星球的嘟当曼因意外降落在地球上的奇巴布幼儿园里，结识了芭蕾舞洋娃娃妮妮，修理工小库，充气章鱼噜噜，布熊波波，毛毛虫公仔咕叽等一群既“普通”又不“寻常”的伙伴。这里每天都有新奇的故事发生，也会遇上各种麻烦，还有一个喜欢恶作剧的调皮鬼“淘淘曼”来捣乱。面对千奇百怪的状况，玩具们只要大声呼唤“嘟当曼帮帮忙！”，具有神奇变身能力的嘟当曼便会从工具箱中一跃而出，变成消防车、警车、救护车等不同功能的工具车，与玩具伙伴们一起齐心协力攻克难关。

来自彩虹星球的嘟当曼因意外降落在 地球上的奇巴布 幼儿园里，结识了芭蕾舞洋娃娃妮妮，修理工小库，充气章鱼噜噜，布熊波波，毛毛虫公仔咕叽等一群既“普通”又不“寻常”的伙伴。这里每天都有新奇的故事发生，也会遇上各种麻烦，还有一个喜欢恶作剧的调皮鬼“淘淘曼”来捣乱。面对 千奇百怪的状况，玩具们只要大声呼唤“嘟当曼帮帮忙！”，具有神奇变身能力的嘟当曼便会从工具箱中一跃而出，变成 消防车、 警车、 救护车等不同功能的 工具车，与玩具伙伴们一起齐心协力攻克难关。

来自彩虹星球的嘟当曼因意外降落在地球上的奇巴布幼儿园里，结识了芭蕾舞洋娃娃妮妮，修理工小库，充气章鱼噜噜，布熊波波，毛毛虫公仔咕叽等一群既“普…

《真嘟假嘟》是一档游戏型微综艺节目,主要聚焦年轻人群讨论的热点话题,营造轻松搞笑代入性的游戏氛围,从而引发当下年轻人对生活状态及精神世界的讨论。|思文和傑夫李与飞行嘉宾将组成“嘟查团”，带领观众通过多轮问答和互动游戏层层剥茧，找出隐藏在众人中真正的主人公。

优酷脱口秀文化节目《观复大嘟会》定档，于7月6日中午12:00上线播出。以人生作书，以江湖为典，品真知灼见，和马未都一起，学习收藏之道，博古通今。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.