The film is about the friendship between a girl and a cow. Their perfect times together are interrupted by a bee and some sneezes. An enforced separation inspired by caring parents' pales into insignificance when the cow finds herself on another planet. Her quest to get home to see her friend is ludicrously employed and as it turns out - suicidal. We discover that friendship can be fickle, actions have consequences and that hot milk and honey can relieve the common cold.

The film is about the friendship between a girl and a cow. Their perfect times together are interrupted by a bee and some sneezes. An enforced separation inspired by caring parents' pales into insignificance when the cow finds herself on another planet. Her quest to get home to see her friend is ludicrously employed and as it turns out - suicidal. We discover that friendship can be fickle, actions have consequences and that hot milk and honey can relieve the common cold.

This is one of the films that came out of a rejection of expressive camera work, sound, language, editing. I wanted to offer a rich experience of phenomena and associations that could come from a continuous moving image the length of a roll of film. The scene is a space of ceremony, of an offering. This is the world of my house in the country, of my marriage to a potter whose bowl represents her. She is the actor. There are actions that have to do with the transformation of ears of corn into sustenance. These actions take place within a space/time theater of slow continuous changes of light and shadow. There are long spaces where the viewer is free to look at various parts of the screen and, with the steam that rises from the cooked ears, into the very grains of the film itself. The sinuous dance of steam is a counterpart to the fog of FOG LINE. The two films are joined.

This is one of the films that came out of a rejection of expressive camera work, sound, language, editing. I wanted to offer a rich experience of phenomena and associations that could come from a continuous moving image the length of a roll of film. The scene is a space of ceremony, of an offering. This is the world of my house in the country, of my marriage to a potter whose bowl represents her. She is the actor. There are actions that have to do with the transformation of ears of corn into sustenance. These actions take place within a space/time theater of slow continuous changes of light and shadow. There are long spaces where the viewer is free to look at various parts of the screen and, with the steam that rises from the cooked ears, into the very grains of the film itself. The sinuous dance of steam is a counterpart to the fog of FOG LINE. The two films are joined.

影片讲述一个居住在布鲁克林开唱片店的男人，在女儿即将离家去上大学的最后一个暑期，面临着同时失去唱片店和女儿的两难局面。

黛安·基顿、杰基·韦佛加盟喜剧新片[砰砰声](Poms，暂译)。该片将由Zara Hayes执导，Shane Atkinson担任编剧。影片讲述一群退休女人在她们社区组建拉拉…

1994年3月10日～17日，将吉祥寺巴斯剧院全部包场，举办“园子温降临祭”。展示了电影、东京GAGA、街头戏剧、朗读、艺术等各种各样的表现形式。

1994年3月10日～17日，将吉祥寺巴斯剧院全部包场，举办“园子温降临祭”。展示了电影、东京GAGA、街头戏剧、朗读、艺术等各种各样的表现形式。

由王珞丹主演，王小帅导演的《玉米人》以留守儿童的故事为主线，讲述了当下中国农民与土地的关系。

由王珞丹主演，王小帅导演的《玉米人》以留守儿童的故事为主线，讲述了当下中国农民与土地的关系。