《嘻哈王》是SBS电视台播出的嘻哈题材独幕剧，全面讲述超越音乐发展成文化现象的嘻哈世界的电视剧。 是韩国首部以新鲜视角描绘嘻哈文化现象及其世界的正…

巴西纪录片 崛起中的菲维拉 Favela Rising 　　導演：Jeff Aimbalist傑夫辛巴里、Matt Mochary麥特莫查瑞 　　國別：美國 巴西 年份：2005 片長：80min 　　得獎紀錄：國際紀錄片協會年度最佳紀錄長片、里茲影展觀眾票選獎、翠貝卡影展最佳新導演獎、溫哥華影展 　　巴西里约热内卢附近的贫民窟"菲维拉"，帮派林立，警匪勾结，贩毒，绑架，凶杀等案件时有发生。片中主人Anderson安德森从小在这里长大，这里的孩子从小就立志成为黑帮成员，而安德森也未能幸免，成为了毒品黑帮的一名跑腿的小喽罗。当4名腐化的警察在巡逻时被黑帮杀害后，政府派出特警报复性的在菲维拉地区杀害了21名无辜的居民后，其中包括安得森的一名亲属。这件事让整个菲维拉地区震惊。安德森与他的朋友想通过摄像举报腐化警员，及其用音乐告诉大家他们自己的想法来以一种非暴力的报复手段来控诉政府/治安当局的暴行。而随着这支音乐组织的逐渐壮大，安德森越来越觉得自己有责任要帮助菲维拉的人们摆脱这样的一个窘迫的困境。他的AfroReggae组织起了多个音乐项目，吸收周边的儿童加入他们的培训班，教他们学习各种乐器及舞蹈等，并积极参加表演。他们的非洲传统音乐混合了Reggae雷鬼及巴西本地舞曲风格的音乐很受当地人的爱戴，安德森也逐渐成为了这样一个音乐运动的带头人。他的努力使大量儿童摆脱了黑帮的影响，使他们有了第二条出路，他甚至得到了黑帮的认同，不少黑帮头目甚至将自己的小孩托付给AfroReggae组织，以避免他们以后长大成为黑帮一员。 　　安德森所发起的AfroReggae组织，对社区的安定，对菲维拉地区的教育与发展作出了很大的贡献。而他却不幸在一次冲浪时发生意外，头部撞在礁石上，第四节脊椎骨骨折，颈部以下当场瘫痪，幸好巴西最好的神经科医生在得知安德森家属无力支付医疗费用的情况下，依旧给他精心治疗，在手术后第二天，安德森就可以下地行走了，当并为完全康复。安德森的康复使得AfroReggae的社区活动能继续为菲维拉地区的人民服务了。

Interviews with influential MCs, DJs and moguls trace the genre's dynamic evolution from the 1970s through the 1990s in this documentary series.

The District 　　编号：EE-1857 　　嘻哈街角 获奖收藏版 　　2005年加拿大渥太华国际动画电影节评审团大奖 　　2005年安锡国际动画电影节最佳处女作奖 　　没钱没马子，钞票万事能！为了赚大钱，一群小鬼异想天开，在小区制造丰富的石油矿，神奇地一夜致富之后，事情开始一发不可收拾…。全片结合大量RAP，以布达佩斯龙蛇杂处的黑区为背景，罪犯、妓女、烂警察，荤腥色膻生猛有力。

《嘻哈民族》是以奶奶RAPPER为概念，选取了来自各领域的八位强势奶奶和已经非常成熟的Producer们进行合作。出演的嘉宾不仅包括《Unpretty Rapstar》中的冠军Cheetah还有《SMTM5》中的实力Rapper们。8名老奶奶在Hip-hop制作人的帮助下进行Rap对决舞台的形式呈现，展现不同年龄段和多样化背景奶奶们的特殊才艺表演，奶奶们的反转魅力让节目变得非常有趣。

布里是一位年轻的说唱歌手，也是一位地下嘻哈传奇人物的女儿，她在成名前去世。她父亲的传奇故事让他很难被追随，但在布里被欺负和看着母亲失业后挣扎的过程中，她把自己的沮丧倾诉到了歌曲中，这些歌曲成为了热门歌曲。

A mockumentary chronicling the rise and fall of NWH, a not particularly talented--or particularly bright but always controversial--hip-hop group

Hip Hop: New York 　　2006 / video / 5mins 　　Hip Hop Project: Happiness of the Unhappy 　　Common-placed HipHop. Proletarian HipHop. Non-youth HipHop. Non-trendy HipHop. 　　HIP HOP is a music which humorously expresses negative energy, it is popular yet it is belongs more to the public; Hip Hop comes from the street, from the lower class, it is marked by proletarian. 　　HIP HOP is a kind of accusation, is a means to express one' s depression and refers to social reality. HIP HOP Project, endeavors to combine HIP-HOP with different cultures and to give HIP-HOP realistic meaning, to let HIP-HOP that comes from the common go back to ordinary people, go back to doubting and questioning reality. Hip is butt, Hop is a move. Hip Hop is the dance of moving one' s butt. 　　HIP HOP Project makes everyone (not only the young ones) interpret Hip Hop through their bodies, feel and relieve in Hip Hop and outline the true contour of a city.

Hip Hop: Fukuoka 　　2005 / video / 8mins 　　Hip Hop Project: Happiness of the Unhappy 　　Common-placed HipHop. Proletarian HipHop. Non-youth HipHop. Non-trendy HipHop. 　　HIP HOP is a music which humorously expresses negative energy, it is popular yet it is belongs more to the public; Hip Hop comes from the street, from the lower class, it is marked by proletarian. 　　HIP HOP is a kind of accusation, is a means to express one' s depression and refers to social reality. HIP HOP Project, endeavors to combine HIP-HOP with different cultures and to give HIP-HOP realistic meaning, to let HIP-HOP that comes from the common go back to ordinary people, go back to doubting and questioning reality. Hip is butt, Hop is a move. Hip Hop is the dance of moving one' s butt. 　　HIP HOP Project makes everyone (not only the young ones) interpret Hip Hop through their bodies, feel and relieve in Hip Hop and outline the true contour of a city.

Beat Kings is an in depth documentary about hip hop producers spear-headed by longtime Wu-Tang Clan Producer/DJ Mathematics. Beat Kings chronicles the history of beatmaking from the days of Afrika Bambatta to Marley Marl to modern day greats like Kanye West. Tapping a who's who in hip hop music, Beat Kings get the first hand accounts of the equipment they use, how they learned to make beats, and anything else a budding producer or hip hop fan would want to know. The DVD features in the studio interviews with Kanye West, Just Blaze, Havoc (Mobb Deep), Trackmasters, Swiss Beats, RZA, Premier, Pete Rock, Marley Marl, Alchemist, Easy Moe Bee, Prince Paul and more. These producers are the architects behind the rhymes of superstars like Jay-Z, Notorious BIG, 50 Cent, Nas, The Wu-Tang Clan and now anyone can learn how they do it.