In November 2010, a Chinese vase unearthed in a suburban semi in Pinner sold at auction for £43 million - a new record for a Chinese work of art. Why are Chinese vases so famous and so expensive? The answer lies in the European obsession with Chinese porcelain that began in the 16th century. 　　In this documentary Lars Tharp, the Antiques Roadshow expert and Chinese ceramics specialist, sets out to explore why Chinese porcelain was so valuable then - and still is now. He goes on a journey to parts of China closed to Western eyes until relatively recently. Lars travels to the mountainside from which virtually every single Chinese export vase, plate and cup began life in the 18th century - a mountain known as Mount Gaolin, from whose name we get the word kaolin, or china clay. He sees how the china clay was fused with another substance, mica, that would turn it into porcelain. 　　Carrying his own newly-acquired vase, Lars uncovers the secrets of China's porcelain capital, Jingdezhen. He sees how the trade between China and Europe not only changed our idea of what was beautiful - by introducing us to the idea of works of art we could eat off - but also began to affect the whole tradition of Chinese aesthetics too, as the ceramicists of Jingdezhen sought to meet the European demand for porcelain decorated with family coats of arms, battle scenes or even erotica. 　　The porcelain fever that gripped Britain drove conspicuous consumption and fuelled the Georgian craze for tea parties. Today the new emperors - China's rising millionaire class - are buying back the export wares once shipped to Europe. The vase sold in Pinner shows that the lure of Chinese porcelain is as compelling as ever.

Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

For centuries the West has been enthralled by flamboyant blue and white ceramics from China, but were unaware that all the time the Chinese were making porcelains for themselves that were completely different - subtle monochromes for the Imperial court, beautiful objects for the scholar's table and delicate domestic wares. 　　Ceramics expert Lars Tharp, Antiques Roadshow resident and presenter of Treasures of Chinese Porcelain, has picked his six favourite pieces representing Chinese taste. He's goes on a journey through a thousand years of Chinese history, travelling from the ancient capital of Huangzhou in the south to Beijing's Forbidden City in the north, to uncover what these six pieces tell us about Chinese emperors, scholars, workers, merchants and artists. 　　To him, they are China in ceramic form. But can they help us to understand China today?

The elderly owner of a china shop leaves for the night, and the various figurines and decorated mugs come to life. A demonic figure captures an upper-class lady and does battle with her lord, damaging much of the shop. But the demon proves to have a glass jaw and, literally, a yellow streak, and the happy couple is soon reunited. No dialogue, but some signs are in English, particularly the final punch-line.

成天是一个修仙世界的外卖员，看似普通的外表，但是却承担了关乎世界命运的超强能力，在执行外卖派单的路上总是遇到各种麻烦，不仅有妖怪的肆虐还有刺客御姐和吸血鬼的刺杀，在各路神仙的各种虐下，外卖员成天能否顺利修仙成功封神呢？

成天是一个修仙世界的外卖员，看似普通的外表，但是却承担了关乎世界命运的超强能力，在执行外卖派单的路上总是遇到各种麻烦，不仅有妖怪的肆虐还有刺客御姐和吸血鬼的刺杀，在各路神仙的各种虐下，外卖员成天能否顺利修仙成功封神呢？

A handsome homicide detective is befriended by four old ladies who invite him for tea and proceed to play out a variation of Arsenic and Old Lace for his benefit.

陳界仁的〈凌遲考〉以冷靜而壯烈的方式，控訴台灣長期以來遭受西方各種「殖民」形式的歷程。〈凌遲考〉的影像彷彿集體記憶中的夢的影像，潛藏於觀者的「集體潛意識」，挑戰觀者的回應與記憶。〈凌遲考〉用緩慢而詩意的速度以三個銀幕放映，將歷史和台灣當代社會連結起來。〈凌遲考〉的影像是介於瘋狂、極度痛苦與彷如聖靈充滿的狂喜的曖昧混合。雖然影像來自一幅當初很少人知曉的歷史文件，在「凌遲刑罰」早已被禁止，在人間消失的二十一世紀初，對這樣的凌遲刑罰過程的觀看經驗也彷彿觀看地獄圖像的經驗。而刻意放緩進行的影像由於背負龐雜交叉的歷史與意涵（殖民的、歷史的、影像史的、影像本質的、刑罰的、觀看、暴力美學等等），使觀者不得不進行凝視──凝視歷史，也凝視自己。藝術家希望以獨特的方式，例如緩慢進行的手法與調子，引起觀者的深刻凝視；針對「凌遲」的刑罰形式，重新加以凝視與再現，並將其擴大演繹為一道隱喻，影射全球化意圖下的第一世界霸權之於弱勢者的權力關係。