It is said that laughter is at its best when a smile breaks through tears. The name of the Italian-born world citizen Andrea Magnani should not be unknown to the audiences of PÖFF. Those who still remember the director’s wonderfully convivial debut “Easy” which was screened at the festival in 2017 and in which a sissy who has come to love food too much is suddenly placed in front of big life choices can probably guess the direction that the director’s new film may take. 　　For young Giacinto, prison is like home. It would indeed be more correct to say that prison is his only home, because the little boy has been born in prison and has spent his entire life in prison with his mother. Prison is the place where Giacinto truly breathes and lives, as that’s the place where he has been born, learnt to walk and love. As soon as the prison doors close behind him, the young man feels that life outside the prison walls is not for him. At the first opportunity, he escapes from the outside back to prison, his home, where he can feel safe from the dangerous outside world. But upon reaching adulthood, Giacinto has to make an important decision... 　　According to the director, the film was inspired by his own youth years in a small Italian town that felt like a prison to his young self, but was still so dear. 　　This immensely warm comedy with its scarce dialogue and silent film elements knows what the audience expects from a film in difficult times. It is simply brimming with human warmth that we so desperately need today.

在萨克拉门托县立监狱里，女囚犯与强权以及彼此斗争，尽可能在狱中享受生活和爱情。

在萨克拉门托县立监狱里，女囚犯与强权以及彼此斗争，尽可能在狱中享受生活和爱情。

Three archetypal woodland spirits explore the conflicting human drives of creativity, possessiveness and our desire for status.

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力——看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去，南桑宁不得不踏上漫漫拯救反派大佬之路。

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力--看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去， 南桑宁不得不踏上漫漫拯救反派大佬之路。

Manichithrathazhu中女舞者Nagavalli的宅院看似並非豪宅，但卻有陳舊的真實感，沒有特效，但故事的陳述跟鋪呈，卻讓觀眾真的跟著這對新婚夫妻住進宅院後，發生一連串的怪事而引起好奇。畢竟電影不是真正的鬼片有向好萊塢電影或現在很多的亞洲電影故意要嚇觀眾的設計，所以其實150年前的傳說背景是十分重要，加上配合主角們之間的關係，讓觀眾一方面進入故事的本身，一方面也真的有些如看偵探小說一樣想知道（猜測）事實的真相。

一次赌局，仰邦军官巴律救下被拐卖的华国干金南溪， 从此只想要金屋藏娇，将她锁在身边，然而南溪心中却只有逃离。两人戴着面具互相欺骗、试探，却在虚情假意中滋生了致命的真心。